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book cover showing 2 men in 1920s clothing and a steamship

  • The third in the Lost in Time series. Queer British, Lovecraftian romantic suspense set in the 1920s.
  • Genre: MM, gay, non-binary, romance, historical, paranormal, suspense
  • Length: 40,400 words
  • Publisher: JMS Books
  • Release Date: 30 Dec 2020
  • Buy: http://books2read.com/thehuntedandthehind 

Blurb:

Inadvertently tumbling through the border after Fenn and then thrown into the middle of the internecine political disputes of their people, Sergeant Will Grant of the Metropolitan Police has spent three months in prison in the Underhalls of the Frem. When Fenn comes to free him and return him home through the border, he has very little time to work out what’s going on before the sudden appearance of Fenn’s missing younger sibling, Keren, throws Fenn for a loop.

Instead of returning them to London as planned, the trio step through the border to the Egyptian desert. Once they work out where they are, it’s a two week trip back to England with the possibility of pursuit both onboard ship and when they reach home.

Will the journey give Fenn and Will time to resolve the feelings they have been dancing around since the day they met? How will they keep Keren from recapture by the faction who tried to persuade Fenn they were dead? And has Will’s friend Alec forgiven Fenn for lying about their motives when they first traveled to London four months ago?

The Hunted and the Hind is the third and final book in the 1920s ‘Lost in Time’ trilogy. The books need to be read in order.

Excerpt – At the Stables

“Can I ride the one over there, please, Will Grant?” Keren called across the yard, pointing at the creature with a white stripe down its face that they’d become enamored of earlier.
Will Grant nodded and came across the courtyard toward them. “You may. That was my intention, anyway.” They looked at Fenn. “Do you have animals you ride in the Outlands?” they asked.

Fenn stroked Olive’s nose. “Not like these,” they said. “These are beautiful creatures. We sometimes ride the antacas we use for pack animals. Some people breed them for meat, too. They have horns and a very sharp spine. And are extremely bad tempered. They’re smaller than these, though. Bumpy.”

Will Grant leaned against the stable door next to Fenn, as Keren took themselves across the yard to quiz the horse-keeper. He rubbed at Olive’s ears absently. “You’re not bumpy, are you girl? No-one would dream of accusing you of such a dreadful thing!”

The horse shook its head and buffeted Will Grant’s stomach. He staggered a little against Fenn’s side and blew out a laugh. It was very strange to see them like this, out of their city clothes, in what Fenn assumed were special clothes for riding. The humans seemed to have a variety of different clothes for each task, rather than sensible clothing that would serve for most things. Here in private, both Fenn and Keren had donned the extra clothes made for them in Port Said, patterned more or less on their usual loose trousers and robes.

It was even stranger to see Will laugh like this. After the conversation with their parent this morning, Will had seemed to let go of a little of the tension that had gathered round them since this trip had been mooted. It was a nice look on them, Fenn decided. Underneath it all was the tension and sadness that was Will’s permanent signature. But a little of that had eased. Fenn wondered what it would take to ease the rest of it.

“Come on, then,” Will Grant said, straightening. “Let’s get Keren up and we can go out for a wander through the woods and down to the lake. And once we’re there we can try our kias out near the water. We’re lucky Mama has kept the stable going, with no-one but her here to ride.” He glanced around. “The men coming home needed the work.”
Fenn nodded. “Your parent is a good person,” they said, cautiously. “They reminded me of Ana. Very…,” they searched for an accurate, polite word.

Will Grant laughed. “Very, yes,” they said. Their eyes had softened. “I haven’t done right by her,” they said. “I’ve been too wrapped up in my own head. I should have come home before.”

“It doesn’t sound like you were ready,” Fenn replied. “Home is a difficult place to be, sometimes.”

Will Grant shook their head. “But still. She’s my mother and she lost all of us. Father died a few years before the war and she missed him dreadfully. It was a love match, I think. They spent a lot of time together, anyway.”

Both of them were leaning against the stable door now, talking quietly whilst they watched the bustle as the horse-keepers got animals out for them all to ride.

“Is that not always the case, here?” Fenn asked, curiously.

Will looked at them over Olive’s nose. “For Mama’s generation, not always. Sometimes, marrying well is more important than whether you have strong feelings for your potential partner. Making the marriage and producing children is the thing, you see.”

Fenn looked at him.

“Not for me,” they hastened to add. “Mama has given up trying to marry me off. She made it clear this morning that she has no expectations in that direction at all.” They hesitated. “She said, you are welcome to visit here, too. She knows that I…have feelings…for you.”
Fenn was silent for a moment. “I would be honored to visit them,” they said. “Whether or not you have feelings for me, Will Grant.” They felt the shiver of embarrassment in Will’s kias. Humans did not talk about this sort of thing, apparently. Probably because most of them didn’t have kias and had to articulate everything verbally. It was very graceless and left a lot of room for misunderstanding. How did people without any kias at all between them manage?

They gently opened the edges of their kias to Will Grant and allowed their own feelings to be felt. Admiration, friendship, desire, love. All of it. Will glanced over and smiled, clearly picking some of it up without even trying to reach back.

The two of them stood against the door in amicable silence until the chief horse-keeper called across the yard, “Ready, Mr William? I’ve got Peter tacked up for you, here!”

Will Grant started. “Coming, Ralph. Thank you.

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Wishing Rebecca Cohen a very happy release day for the latest in the Crofton Chronicles.

I read it while it was under construction and I must say it had everything I demand from a historical – loads of authenticity, a cracking romp-along plot and characters to die for. 

And can I say what a fabulous cover Garrett Leigh has produced for it. Just stunning

I’ll be hosting Rebecca for a Comfy Chair session later in the week, but for now here’s the blurb and some links:

James Redbourn, Viscount of Crofton, enjoys all the pleasures King Charles II’s Restoration court affords him. His encounter with the enigmatic Chivalrous Highwayman in Epping Forest, sets the court aflame. Tales of the charming rogue treating his latest victim with his usual gentle hand has ladies’ fans quivering with every whisper.

While the Chivalrous Highwayman is a delicious fantasy, it is the intriguing Adam Dowson, the son of one of the greatest Cavalier generals, who is firing James’s daytime desires. Their friendship might be growing stronger, but Adam seems to be one of the few men who is impervious to James’s charms, no matter how hard James tries.

When James’s father become deathly ill, James races home. He is ill-prepared to become the 4th Earl of Crofton, and his father’s vague but dire warnings on his deathbed only make matters worse. Now the earl, James must discover what is happening at Crofton Hall that had troubled his father so deeply.

James turns to Adam for help. Despite Adam’s own secrets, James trusts him. James hopes he’s not making a mistake, risking his family estate, and his already bruised heart. Together, they need to work to clear out the rotten core at Crofton Hall, and along the way secure a happy future for them both.

James. Earl of Crofton

Amazon UK

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My guest today is Ally Lester – writing as A L Lester – author of the Lost in Time series and currently celebrating the release of her latest novella, Inheritance of Shadows.

Thank you for joining us today, Ally and answering my questions.

~~~

Elin: Can you tell me a little about yourself? For instance, do you have to have a day job as well as being a writer?

Mr AL and I  are full-time carers for Littlest, who is eleven and severely disabled. I used to be an IT geek. Then I taught people office skills for a bit. Oh, and did spiritual healing.  And then I worked in the audio-visual industry with Mr AL  for a while, doing lights and powerpoint and stuff for conferences. I quit that when I had babies because people got cross when I climbed ladders whilst pregnant. And then I started a chicken breeding business and had a market stall selling eggs. I gave that up when Littlest began to  need more care. Plus I started having stress-related seizures and couldn’t drive any longer.

Elin: When you aren’t writing, is there any other creative activity you enjoy? Have you ever written about it?

I do fibre-craft stuff when I have the time and head-space. I knit (quite well) and I spin (very badly). I also needle-felt and sew, but it’s a bit hit and miss. And, erm, I brew beer? And I like to bake. All of this is very dependent on where I am in my head, though. I try and only start small projects these days because I run out of puff and they get abandoned. Oh, and I have a permaculture garden, that’s creative, too – it’s a slow process, but I’m gradually trying to make our garden self-maintaining and also food-producing. It’s a constant battle with the nettles at the moment, so it doesn’t feel very creative or nurturing, just a daily slash-and-burn battle.

Elin: Can you name any author/authors, past or present, who have been a great influence on your work?

Dorothy Dunnett, for the meticulous historical research in her Lymond series – I’m listening to them on audiobook at the moment!  Ursula Le Guin, for her wonderful world-building. And Josh Lanyon was the first gay romance author I read. I love her style.

Elin: What are you reading? Something to be clutched to the bosom or tossed aside with force? Fiction or non-fiction? Recommendations please.

Ooooh! Well. I’ve actually just read Kaje Harper’s new release, Changes Going On! I loved the first in the series – Changes Coming Down – and have been waiting for this to drop on to my ereader. It’s a gay menage, which with some authors is all about the sex and not about the story, but this is NOT that. It’s about a cop, a rancher and an ice-hockey player (again, ice-hockey romances not my thing usually) and how they all fit together. There are murders, too, which I like a lot in my reading. Once I’d finished that, it prompted me to go for a massive Kaje re-read, so I have also read her Life-Lessons duology (closeted cop, teacher) and am now reading Nor Iron Bars a Cage, which is set in a fantasy world with a mage as the hero. They all happen to have gay MCs, but I read all sorts of books with queer protaganists – Ada Harper, C. L. Polk and Allie Therin are all hard recommends. Also Melissa Olsen’s books – the relationships are straight, but it’s so plot-driven that they sucked me right in.

Elin: Are you a plotter or a pantser?

Pantser. I’ve been trying to be more of a plotter, but honestly, everything just falls apart. I need to write about 30k words, just splurged on the page, and by the time I’m done with that, it’s become apparent to me what’s actually happening in the book and I have a plot to work with. I write using Scrivener, which lends itself to small scenes I can pull around to where they fit.

Elin: Do your characters arrive fully fledged and ready to fly or do they develop as you work with them?

Definitely develop as I work on them. I suppose I feel that I’m discovering more about them as I go – it’s not that I have to make them up. I just discover what they would do as I’m writing each scene I throw at them.

Elin: Do you have a crisp mental picture of your characters or are they more a thought and a feeling than an image?

Definitely more a thought and feeling. And a smell, sometimes, which is weird, because I don’t actually have that much of a sense of smell in my real life.

Elin: Do you find there to be a lot of structural differences between a relationship driven story and one with masses of action?

I find it very hard to write purely relationship driven stories, so I don’t! I find them a bit boring to read, too, so I think they’re just not my thing. Several people have said to me that I don’t actually write romance, per se, because there’s such a lot of plot going on in my stories. I think with relationship-driven stories so much of the conflict is internal that it’s hard to do them well. It’s possible to have a lot of ‘telling’ going on rather than ‘showing’, which I think makes the story slow – unless you have a lot of misunderstandings and people being horrible to each other etc, which is difficult to make realistic. I am the person who spent all of the school production of Othello muttering ‘just ask her about the handkerchief, just ask her about the handkerchief’. I find a lack of communication between characters annoying rather than a sympathy point for them!

Elin: Villains – incredibly important in fiction since they challenge the main protagonists and give them something to contend with beyond the tension of a developing relationship. What sort of villains do you prize? A moustache-twirling nightmare or … ?

I’d like a tortured villain, if you’re going to make me choose, please, thank you. Someone who is a baddie because of their circumstances or their inner turmoil or because… just a random example… they have been connected to someone else by a magical accident and cannot get free.

Elin: What are you working on at the moment? Can you discuss it or do you prefer to keep it a secret until it’s finished.

I can discuss it! I’m working on a story between a disabled farmer and a disgraced stockbroker, set in the same place as Inheritance of Shadows, but in the 1970s rather than the 1920s. It’s sort of a sequel. But it’s not, really. I loved the farm-setting so much that I wanted to re-visit it. I’m not sure if it’s got magic in it yet though. I’m still in the frantic-pantsing stage.

Elin: Could we please have an excerpt of something?

You may! Here is an excerpt from Inheritance of Shadows. This is my new release – it’s a 35k stand-alone novella set in the Lost in Time universe, although readers who have come across other books will recognize little things that carry across from different books. The first 7.5k words is a tidied up version of The Gate, which is the first thing I wrote set in the universe and which is available free. I then wanted to find out what happened to Matty and Rob after the end of the story- and this is the result.

It’s 1919. Rob and Matty both return from the trenches only to find Matty’s brother dying of an unknown illness. And Matty’s looking sicker and sicker. The answer seems to be in the esoteric books Arthur left strewn around the house.

It’s taken them more than a decade to admit they share feelings. They are determined that nothing will part them. What is Rob prepared to sacrifice to save Matty?

CHAPTER FOUR: Breaking the Cypher

“I think I’ve got it,” Rob murmured, one Saturday evening in November as they sat on either side of the fire in the parlour. He had a notepad on his knee and was transcribing from what Matty thought of as the Himalayas book, with the coded text and sketch-maps. It had been raining all day and they’d been hauling muck from the heap behind the byre to put on the fields of oat stubble. It had been a relief to come in and have a bath before they’d eaten, and they were now relaxed and tired.

Matty paused in his own reading to look over at Rob. He was still working on the green book himself, on the pages of what he thought of as spells. Some of them were in reasonably plain if old-fashioned English, some were in languages he could make a decent stab at with a dictionary, and a few were in a completely incomprehensible scrolling script that he couldn’t place, even after two months of searching. “Got what?” he asked, intelligently, pulled from his fugue.

“The cypher. There’s a bit later on, toward the back, that’s a translation, I think. It looks like I might be able to make the rest out from there.”

Matty rose and went over to sit on the arm of Rob’s chair. He often sat like this, reading over Rob’s shoulder as they puzzled out some piece of nearly indecipherable script. They were moving forward slowly with understanding what the books said. There were many others—piles of them all around the floor. Matty had ploughed his way through Arthur’s well-thumbed edition of The Golden Bough and agreed with Rob that it was the biggest load of cobblers he’d ever come across, neither of them having much use for either magic or religion. There were history books, psychology books—Mr Freud was another load of perfect bollocks, Matty thought, despite Rob’s interest—and books on different languages and people and places. As they had sifted through them all during the dry autumn, it had become clear that the focus of the collection was the pair of antique, handwritten books they had initially identified. Arthur had gathered the rest of his library in his quest to understand those. Now Matty and Rob had taken on his mantle.

Matty often wondered how long Arthur had been investigating this. Was it something he’d come across during his time in London? He’d gone from Oxford to work at the Evening Trumpeter when he’d gone down in 1897. He had travelled abroad to cover the war in the Sudan. He’d been to Afghanistan to write about the Pathans for the same paper. “Perhaps he picked up the brown book in India,” he mused, out loud. “That would make sense, wouldn’t it? A lot of the notes are about that area.”

“Perhaps,” Rob agreed. “I’m not sure it matters, though. Look at this.” He pointed to an untidy page of writing on the flyleaf at the back of the book, scratched in pencil. It contrasted sharply with the reasonably neat pages of the rest of the notebook. He recognised the hand as the one filling the second half of the book. “Here, look, it’s a translation of the cypher.”

“I thought you said it was Trench Code,” Matty asked.

“Sort of. It’s a cypher, really. Trench Code is impossible to crack without a code book—you can guess, but really, unless you know what the words are supposed to stand for, you’re stuck. A cypher, though. You can crack a cypher, if you’re lucky. Even if you don’t have the key.” He drew his finger down the pencil-covered, discoloured page and Matty became a little distracted, following its path. “It’s not a direct key, this here. But I think that it’s a translation of an earlier bit of cypher. This one, here.” He flipped back to a page much earlier in the book, a left-hand page, facing the map of the cave system on the right.

“Here, look. This grid here has pencil marks overwritten. Very faint.” He pointed. “And I’ve just realised…the first few letters on this page…” he flipped back to the flyleaf at the back of the book, “correspond to them. Which gives us somewhere to start.” He grimaced up at Matty. “I’m kicking myself. I’ve been thrashing through it for weeks and not getting anywhere, and it was here all the time. It looks like someone tried to rub them out on the first page, once they’d written it out in longhand.”

Matty looked. “Yes, I can see the marks. So, what does it say?”

 

All the links!

Buy links / https://books2read.com/inheritanceofshadows

Website / http://allester.co.uk

Facebook / http://facebook.com/ALLesterAuthor

Twitter / http://twitter.com/CogentHippo

Instagram / http://instagram.com/CogentHippo

Email / ally@allester.co.uk

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I’m very pleased to welcome my friend Liv Rancourt to my blog today in order to celebrate her new book Lost and Found, which has a fantastic cover, with an excerpt and a giveaway. But first, here’s a little message from Liv:

Hello! I just wanted to drop a quick note to thank Elin for having me on her blog. The very best part about this publishing community is how supportive everyone is. As an indie author, I don’t have a publisher’s marketing department to rely on. Instead, I have friends like Elin who will help me spread the word about my newest release.
So…yeah. Thanks Elin! And thank you to everyone who has shared my posts and tweets and what-have-you. I’m very proud of Lost & Found – and I LOVE the cover art – and am happy to have it out in readers’ hands!

Lost & Found
By Liv Rancourt>/h2>

Blurb

A dancer who cannot dance and a doctor who cannot heal must find in each other the strength to love.

History books will call it The Great War, but for Benjamin Holm, that is a misnomer. The war is a disaster, a calamity, and it leaves Benjamin profoundly wounded, his mind and memory shattered. A year after Armistice, still struggling to regain his mental faculties, he returns to Paris in search of his closest friend, Elias.

Benjamin meets Louis Donadieu, a striking and mysterious dance master. Though Louis is a difficult man to know, he offers to help Benjamin. Together they search the cabarets, salons, and art exhibits in the newly revitalized city on the brink of les années folles (the Crazy Years). Almost despite himself, Benjamin breaches Louis’s defenses, and the two men discover an unexpected passion.

As his memory slowly returns, Benjamin will need every ounce of courage he possesses to recover Elias’s story. He and Louis will need even more than that to lay claim to the love – and the future – they deserve.

About Liv Rancourt

Liv Rancourt writes romance of all kinds. Because love is love, even with fangs.

Liv is a huge fan of paranormal romance and urban fantasy and loves history just as much, so her stories often feature vampires or magic or they’re set in the past…or all of the above. When Liv isn’t writing she takes care of tiny premature babies or teenagers, depending on whether she’s at work or at home. Her husband is a soul of patience, her kids are her pride and joy, and her dogs – Trash Panda and The Boy Genius – are endlessly entertaining.

Liv can be found on-line at all hours of the day and night at her website (www.livrancourt.com), on Facebook (www.facebook.com/liv.rancourt), or on Twitter (www.twitter.com/LivRancourt). She also blogs monthly over at Spellbound Scribes (https://spellboundscribes.wordpress.com/).

For sneak peeks and previews and other assorted freebies, go HERE to sign up for her mailing list or join the Facebook page she shares with her writing partner Irene Preston, After Hours with Liv & Irene. Fun stuff!

Giveaway
Click here to enter a Rafflecopter giveaway to be in with a chance to win a $25 gift card. Giveaway ends 10/31/19.

Excerpt from Lost & Found by Liv Rancourt:

M. Richard was wise to have sent me straightaway. By the time I strolled down the Boulevard de Magenta to Le Marais, found the street and the shop, and had an extensive fitting, I barely made it home in time to meet Louis. I was putting the finishing touch on my tie—the Windsor knot gave me trouble—when he knocked on my door.
“Bonjour, I’ll be…” All I could do was stare. Never a shabby dresser, tonight the exquisite cut of his suit made the most of his broad, lean body, and his precise hairstyle brought out the dramatic lines in his face. “One, um, one moment.”
I backed away, gesturing for him to come in. Even his cane had been replaced by an elegant black walking stick with a gold handle.
He paused a moment before responding to my request. “Double breasted? Where have you been hiding this? You look superb.”
I busied myself collecting my wallet, murmuring the name of the shop.
“In the Marais Quarter?” He spoke with a hint of amusement. “You traveled far.”
Collecting myself, I moved toward the door. “M. Richard sent me.”
He smirked. “Good thinking on his part.”
The evening was warm and clear, the memory of sunset only an aqua light in the western sky. In the half-light, I brought myself to broach the possible awkwardness between us. “I was surprised to hear from you.”
“I find myself drawn to your plight.”
“You do?”
“Absolument.”
I couldn’t tell if he was laughing or not. “Regardless, I do appreciate the invitation.” We smiled at each other through the twilight. “Now, should I rely on you to speak for me?”
That earned me a raised eyebrow.
“My accent.”
Louis laughed. “My friend tells me that most of the other guests share your particular malady, so you’ll feel at home.”
At home? “Perhaps.”
His chuckle dispelled what was left of my distress, and we walked on in comfortable silence. Navigating the narrow stairs to the Métro proved a challenge for Louis, so once we were on the platform, I took the initiative. “Someday, you should let me look at that.” I waved in the direction of his leg.
“Someday, I would like you to do more than just look.”
Louis met my surprise with bland amusement, though when it became apparent I was too flustered to respond, he changed the subject. “The train won’t come for a while. Tell me more about your friend Elias. I need to know the kind of man he is, to know whom I should talk to tonight.”
“What kind of man?” Looking to the past was safer than dealing with the gentleman standing next to me, so in the concrete cave, under the harsh fluorescent lights, I told him a story. “Elias is always up to something, you know? Like…” A particular memory made me smile. “Do you ski?”
“Un peu.” He indicated a small distance with thumb and forefinger.
“Okay, so one night, he knocked on my window after I’d gone to bed. There was about three feet of snow on the ground, but the moon was out, and he wanted to ski.”
I’d dressed as quickly as possible. Outside, the air was so cold, ice crystals formed with every breath. “He followed me to the barn, where I saddled up our old gelding Rocky. Elias didn’t have skis of his own, so he grabbed mine and climbed up behind me on the horse. The moon was huge that night, and so bright we could see just fine.”
“We rode up along the ridge behind our house, four, maybe five miles until we got to the crest. Our plan was he should ski, and I’d ride down to meet him, and then we’d switch. Rocky was stable enough even for Elias to ride.”
His expression neutral, Louis nodded at me to continue. A rumble started from far off. The train must be coming.
“Well, what we didn’t figure was there was ice underneath the snow. Things had warmed up just enough to melt a little, then we’d had a hard freeze, followed by another dump of snow. Elias got himself buckled into the skis, and right as he’s about to take off, he hollers to the heavens.” And with the moon behind him, he’d looked like some forest spirit come to life. “That yell stirred things up, and the snow started sliding.”
The rumble grew, and a pinpoint of light appeared in the tunnel ahead of us. “He’d set off an avalanche.” Though miles and years away from that moment, my heart still skipped a beat. The noise of the train echoed the roar of the snow in my mind. “I thought, God, he’s done. He’ll be buried in snow, and I’ll never find him.
“I brought Rocky as close to the edge as I dared, but all I saw was snow and ice and torn-up trees. We raced down the ridge, faster than I’d ever seen that horse move, through the valley to the place where we usually met up. I figured Rocky and I would do better climbing up to find Elias rather than trying to get down from the top. And you know what?” Full of the one moment I’d never forget, I barely looked at Louis. “He skied up like nobody’s business. He’d stayed just ahead of the snow, said he’d never skied so fast in his life.” I looked toward the ceiling, blinking fast. Elias had made it, his face burned from the cold. His eyes, though. His eyes had been full of stars.
“Come.” Louis took my arm, leading me back to the present as much as onto the train. We fell silent, settling side by side on one of the wooden bench seats. When Louis spoke, the sound of his voice startled me.
“I think your friend has a very big soul.”
I kept my gaze fixed on the window, though all I could see was the gray cement wall of the tunnel. “Big soul? Yes.” And a bigger heart.

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I’ve been waiting for this one with considerable excitement because a) werewolves, b) historical that isn’t Regency!!! * c) it’s by Joanna Chambers with a cover by one of my favourite artists d) it’s available from today, and e) there’s a giveaway at her website where you could win a copy of the book and a $20 giftcard! Scroll down for details.

BLURB

Gentleman Wolf (Capital Wolves duet #1)

An elegant werewolf in Edinburgh…

1788. When Lindsay Somerville, the most elegant werewolf in Paris, learns that the man who held him in abject captivity for decades is on his way to France, intent on recapturing him, he knows he must leave the Continent for his own safety. Lindsay cannot take the risk of being recaptured—he may have been free for a century but he can still feel the ghost of his old chains under his fine clothes.

… on a mission…

While he’s in Edinburgh, Lindsay has been tasked with acquiring the “Naismith Papers”, the writings of a long-dead witchfinder. It should be a straightforward mission—all Lindsay has to do is charm an elderly book collector, Hector Cruikshank. But Cruikshank may not be all he seems, and there are others who want the papers.

… meets his match

As if that were not enough, while tracking down the Naismith Papers, Lindsay meets stubborn architect Drew Nicol. Although the attraction between them is intense, Nicol seems frustratingly determined to resist Lindsay’s advances. Somehow though, Lindsay can’t seem to accept Nicol’s rejection. Is he just moonstruck, or is Nicol bonded to him in ways he doesn’t yet understand?

Note: this is the first book of a duology – the story continues and will complete in the second book, Master Wolf.

CONTEST LINK

https://joannachambers.com/2019/08/24/gentleman-wolf-release-day-giveaway/

* This is in no way to suggest that I dislike Regency but it was only NINE years and I get very excited to see some of those other many thousands of years getting some attention.

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I’ve always felt very privileged to host authors on my site, especially when it gives me a chance to meet new people. Sarah Ash has just had her first historical novel published with Manifold Press, though she is no stranger to the book world having many very enticing fantasy series listed on her website, and I hope we will soon see more from her.

Thank you Sarah, for answering my questions so kindly.

1/Have you been writing for long? Do you still remember your first story?

I’ve been writing for as long as I can remember. I started off with little poems and plays that I persuaded my (long-suffering) school friends to act in but I finished my first novel when I was thirteen, a fantasy called The Miglas set in and around Wookey Hole (heavily influenced by Alan Garner). After that I just carried on but – although I was invited to talk to an editor and was very nearly published as a teenager – it didn’t happen and I went off to train as a musician instead.

2/Was there anything in particular that triggered the idea for Scent of Lilies? Have you ever been to Istanbul?

Scent of Lilies grew from my first ever published short story Ninufar’s Kiss which was all about Tekla. I’d been listening to Bulgarian folk songs (the amazing voices of Le Mystère des Voix Bulgares which still gives me goosebumps) and the characters just turned up (as they do). I’ve never been to Istanbul (Crete is the closest I’ve come) but a visit some years ago to the Chapelle des Moines in Burgundy with its wonderful 11th-12th century Byzantine frescoes by an unknown team of artists inspired me to do research as to how the artists worked. The main protagonist of my fantasy trilogy The Tears of Artamon, Gavril, is a portraitist (his mother Elysia is also a painter) so I seem to be fascinated by artists and the magic they wield.

3/What is your favourite genre to write/read? Is there one you would love to have a bash at/one that you’d avoid like rattlesnakes?

I like to read and write genre mash-ups. So although fantasy is my main genre as a writer, I’m thrilled to have a story coming out in The Alchemy Book of Horror #2 later this year.

4/What are you working on now?

I’m currently doing edits on The Arkhel Conundrum, Book 4 of The Tears of Artamon. It’s been a while since I returned to these characters but readers kept asking me ‘What happened to Gavril and Kiukiu?’ so I hope they won’t be disappointed with the new developments!

5/ Can we please have an excerpt?

With pleasure… here’s an extract from Scent of Lilies

book cover showing water liliesIt was late afternoon and the sun was already dipping westwards, flooding the isthmus with a dazzle of golden light. Damian turned to gaze upwards at Saint Thekla: a large tiled dome, the intricate masonry beneath sun-gilded from grey to rich ochre.

He took in a deep breath. This was the moment. His career depended on it. He reached for the iron handle on the great wooden door, turned it, pushed, heard the slow creak of the hinges go echoing into the high-vaulted recesses beyond, and went in.

Acrid smell of new lime plaster, white dust like fine sand coating the new floor tiles and somewhere further in, the hollow tap and drag of a builder’s trowel smoothing mortar against brick.

He stood a while, blinking, until his eyes became accustomed to the shadows, the flagstones chill beneath his feet.

A faint, dusty light was filtering into the church from many-paned windows high above the nave. Tentatively, he moved toward it. Tall columns of somber marble loomed out of the darkness. He put out a hand and touched their smooth chill, shivering as he did so.

His footfall echoed and re-echoed around the silent church. Perhaps Alastor had finished work for the day. It would be hard to work in this gloom for too long without risking eyestrain.

And suddenly he found himself beneath the central dome with shafts of light swimming with golden motes glinting in from a circle of high-arched windows set high above, catching flame in his dark hair. Beyond in the dimness he could just make out the planks and ladders of a ramshackle construction of half-completed scaffolding.

“Cosmas?”

The choked whisper came from high above, echoing round and round the dome. Startled, Damian peered uncertainly up into the shadows, the dusty light falling full on his face.

“M-M-M-Maestros Alastor?”

“Who the devil are you and what do you want?”

 

Author bio

Sarah Ash trained as a musician but writing fantasy novels has allowed her to explore her fascination with the way mythology and history overlap and interact (her second published novel Songspinners is set in an ‘alternate’ eighteenth century Bath, her home city).The five novels in the epic fantasy Artamon sequence (Random House) are also set in an alternate eighteenth century world – with daemons and dragons. The recent Tide Dragons series grew from Sarah’s love of all things Japanese (especially manga and anime which she regularly reviews). It draws on the ancient legend of the Tide Jewels and the lifestyle of the Heian imperial court. Book 1 The Flood Dragon’s Sacrifice is available in ebook and paperback formats; Book 2 Emperor of the Fireflies is now available in ebook format!  http://www.sarah-ash.com   @sarah_ash7

 

 

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It’s always fun to try something new and, for me, this week, it’s a podcast story. I’ve listened before to Night Vale – who hasn’t? – but I’ve never listened to an audio book or heard a story read by an actor in a less formal setting.

This came about as part of a Facebook thread on the Queer Sci Fi group. We were all invited to post about what we wrote – which meant I was completely out of place since the majority of my work is historical – and then the person who made the original post paired off all the writers with the idea that we could read each other’s work and maybe do a bit of cross promotion. I’m delighted to say that I was paired up with Heather Rose Jones whose rendering of the stories of the Mabinogion as Merchinogion are absolutely my type of thing to read.

My favourite edition of the Mabinogion is the one illustrated by Alan Lee

The Mabinogion is a collection of ancient stories that weren’t written down until the 12th century and weren’t properly translated until the 19th century. Lady Charlotte Guest, a friend of our local Welsh loving Lady Llanover, made the first translations expanding upon previous work by scholar William Pughe. These stories contain many of the themes found in British mythology and also some of the oldest references to King Arthur. Just for clarity, in Welsh ‘mab’ means son/boys so Mabinogion is stories of the sons – ‘merch’ = daughters/girls 🙂 and that makes a lovely change.

Heather’s stories also feature a leading lady called Elin who is WAY cooler than I am!

Even more interesting – these stories have been produced as a podcast so you can listen to them or read the text. I particularly enjoyed the bilingual blurbs. I may not know more than basic Welsh but it’s a lovely language to hear spoken. Because it is an ancient language it has had to work hard to catch up with the 21st century. Old words take on new meanings and so the language builds up layer upon layer. The first story “Hoywverch” can be split neatly – hoyw and verch – and could be rendered merely as ‘gay women’ according to the dictionary, but scrape away just a little from the surface and they are also “radiant, illuminated and brilliant ladies” and I find that very satisfying. Book two is entitled “Hyddwen” – the white deer – and that taps straight into a powerful otherworldly celtic motif. These stories are beautifully written, with a wonderful rhythm to them and delicate little descriptions spark throughout the plot.

Here is Hoywverch and here Hyddwen. I hope you enjoy them as much as I did.

Bio:

Heather Rose Jones writes fantasy, historic fantasy, and historical fiction, including the Alpennia series with swordswomen and magic in an alternate Regency setting. She blogs about research into lesbian-like motifs in history and literature at the Lesbian Historic Motif Project which provides inspiration for her fiction. She has a PhD in linguistics, studying metaphor theory and the semantics of Medieval Welsh prepositions, and works as an industrial failure investigator in biotech.

Heather has a page on Facebook and can also be found on Twitter.

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comfy chairHappy Thursday!
Today I have a brand new-to-me author in my Comfy Chair. Alyson Pearce is an American transplant currently living in London, where she works full time in publishing and as an author of M/M romances. She fell in love with romances after discovering her grandmother’s library and hasn’t looked back. As a member of the LGBT community, she believes that everyone deserves their chance at a happily ever after.

She has recently released a new series set in the Regency period that follows the adventures and misadventures of a group of gentlemen who are artistically inclined.

Welcome Alyson

Can you tell me a little about yourself? For instance, do you have to have a day job as well as being a writer?

I’m an American by birth, currently living in London while I finish up a masters in Publishing. My passion is romance, of course, but I also love crime, fantasy, and historical fiction. I came to the M/M romance genre through a mix of M/F romance and M/M fanfiction. I found the subgenres of romance I enjoyed (mainly historical, with some paranormal as well) and the tropes I enjoyed in fanfiction. Then I decided to combine the two, both in reading and in writing, which opened up a whole new, exciting world. After reading Bonnie Dee and Summer Devon’s Seducing Stephen and The Gentleman and the Rogue, I tried writing my own novel, and that became The Viscount and the Artist.

In that crucial inspiration stage of a new story which comes first? Plot, situation or character?

Normally I’ll get a glimpse of characters in a situation. For Andrew and Jeremy, it was “what if this peer who didn’t want to be a peer fell in love with an artist?” I had the roughest picture of who Andrew and Jeremy were as characters—kind of like looking at one of those pixilated Classical art works. You know more or less who they are, but not the specifics. Before I write a single word, though, I flesh them out and get to know them as well as possible, that way I know how they would react to a certain situation.

The Viscount and the Artist is the first of what will surely be a long series. When writing series, what measures do you take to keep track of those annoying little details – eye/hair/skin colour, preferred mode of transport, rank or profession, quirks or mannerisms – that are so easy to drop into text and so easy to forget about but will be needed in the next book?

I keep a story bible with all of the series information in it. All of my characters have multiple pages of character sheets, down to the smallest quirk. I also include setting details, historical details, timelines, family trees, and so on to try and keep everything organised. With each book, I add to the story bible.

Villains are incredibly important in fiction since they challenge the main protagonists and give them something to contend with beyond the tension of a developing relationship. The cruel sea. The serial killer. The society itself. Your hero’s inner demons. What sort of villains do you prize?

I love sympathetic villains. In The Viscount and the Artist, the main villain is absolutely society, but that leads to two physical villains—one you see coming and one that’s a bit of a surprise, so I won’t give too much away. With each of those villains, I did my best to make them more than just the ‘bad guy.’ Lady Dersingham isn’t just the woman who’s trying to wed Andrew. She’s also a widow who’s trying to find some source of stability in a world that doesn’t cater to women. And the mystery villain I won’t spoil also battles with their own inner demons, although I have to admit this villain is far less sympathetic. Writing villains you can identify with and sympathise with is just more fun for me, and I think it adds another great element to the story.

Could we please have an excerpt of something?

Instead of remaining in the library, Jeremy explored the house. He hadn’t had much of a chance to the day before, and since this was to be his home for the next two weeks, he wanted to be able to find his way around. When he had accompanied his father on the many dinners Richard had invited them to, he only saw the ground level. There was much left to explore. Making his way through the drawing room and past Andrew’s study, he paused outside the parlour. The door was partially closed, but he could hear voices from inside.
“…can’t ask that of me yet. I’ve only just come into the inheritance.” The voice was unmistakably Andrew’s.
“Even so, as it stands, there is no heir. What if something happens to you?” Phoebe asked.
Andrew scoffed. “Nothing is going to happen to me.”
“We thought nothing would happen to Nathaniel. We thought nothing would happen to Papa. You need to be married, and soon. I suggest by the end of the Season.”
Married? Jeremy couldn’t see Andrew as the marrying kind. Even if he preferred the company of women to that of men, he didn’t seem like the type to settle down.
“And I suppose you already have a candidate in mind?” Andrew asked.
“Lady Dersingham.”
“Lady Dersingham?” Andrew’s voice was sharp. “You would have me—your own cousin—marry that harpy?”
“That harpy happens to be one of my closest friends. I see nothing wrong with her,” came Phoebe’s haughty tone. “It’s common knowledge that she fancies you. She’s already invited you to her ball. It would be the perfect chance for you to get to know her.”
“I don’t want to get to know her! Besides, she’s only just come out of mourning.”
“Which makes this the perfect time for her to seek another marriage.”
“And what of the fact that she’s a scheming, self-centred excuse for a woman?”
“Again, I will remind you that she is a dear friend. If you really feel that way about her, I suggest the two of you go your own way after your marriage is consummated. As long as you produce an heir, I see no problem.”

###

The Viscount and the Artist

Andrew Cardwell is a man driven by duty to his country and to his family. After the death of his uncle, he’s determined to provide security and stability for his family as the new Viscount Cardwell—even if that means marrying and producing an heir. Surprising himself, Andrew decides to sponsor a young artist named Jeremy for the season, to help him find a patron. What he doesn’t anticipate is how well Jeremy fits in his bed…and his life.

Jeremy Leighton knows what it’s like to be a disappointment. The only son of a vicar, he’s refused to follow the path his father set for him, choosing his passion for art, instead. He accepts Andrew’s proposal, hoping to prove to his father—and himself—that he can succeed as an artist. After spending time with Andrew in and out of bed, Jeremy struggles not to fall for the damaged viscount, knowing the season will likely end in Andrew’s engagement.

Between a meddling cousin, a widow on the hunt for a new husband, and their own doubts about the relationship, how can Andrew and Jeremy shed the expectations of others to find true happiness?

Buy Links:
Amazon – http://bit.ly/ViscountandtheArtist
Amazon UK – https://www.amazon.co.uk/gp/product/1535207388
Are – http://bit.ly/TVATAARE
B&N – http://bit.ly/TVATABN

About Alyson

Dear reader,

Allow me to tell you a bit about myself. I fell in love with stories at the tender age of five. With a librarian for a grandmother and an English and History teacher for a grandfather, I suppose it was fated. My first stories were records of my time spent at their house, embellished here and there when I felt the need. I soon moved on to re-writing pop culture classics like Star Wars. Unsurprisingly, those were abandoned as soon as I learned what copyright was.

Over the next few years, I developed a love of fantasy and historical fiction, and tried my hand at writing both. During that time I also picked up my first romance in the basement of my grandmother’s house. It wasn’t until I started writing fanfiction, though, that I actually started writing romance. That was also where I discovered slash fiction. I quickly added in m/m fiction to my reading, and eventually decided to give writing it a go.

The Viscount and the Artist is my first novel.

Links:
Website – http://www.alysonpearce.com/
Facebook – https://www.facebook.com/AlysonPearceAuthor/
Twitter – https://twitter.com/pearce_alyson

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PinkertonManSeries_Banner

Book One Synopsis

THE PINKERTON MAN

Stiles Langberry leaves England under the dark cloud of blackmail.

He resettles in America with a new name, becoming a Pinkerton Agent.

His new employer sends him undercover to a brothel that serves homosexual men, where prostitutes are being murdered. In the course of his investigation, he becomes involved with Paul, one of the prostitutes. Complicating matters, one of the suspects draws Stiles like no man before him. Stiles knows he must stop the killer before he strikes again.

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Book One Synopsis

HOME ON THE RANGE

Pinkerton Agent Stiles Long is sent to the Circle W Ranch to uncover who is killing the ranch’s cattle. In order to discover the truth about the goings on at the ranch, Stiles has to prove to the ranchers he’s more than a good-looking city slicker.

Savage Beare, the head ranch foreman, is far from happy that Stiles is there to check things out. He has secrets of his own.

Stiles finds Savage incredibly good-looking, but cold and aloof.

He’s also a suspect. One of many.

When Stiles’ best friend and partner, Lizzie Ferguson, is kidnapped things begin to shake apart.

Stiles doesn’t trust anyone and he needs to find Lizzie before it’s too late.

HomeOnTheRange_Cover

Buy Links

Don’t miss the discounted pre-order and buy prices until 48 hours after release!

WIP: http://www.waywardinkpublishing.com/product/pinkerton-man-series-by-cj-baty/
ARe: https://www.allromanceebooks.com/product-pinkertonmanseries-2058762-158.html
Amazon US: https://www.amazon.com/Pinkerton-Man-Books-One-Two-ebook/dp/B01H1ZCQTE/
Amazon UK: https://www.amazon.co.uk/Pinkerton-Man-Books-One-Two-ebook/dp/B01H1ZCQTE/
Amazon AU: https://www.amazon.com.au/Pinkerton-Man-Books-One-Two-ebook/dp/B01H1ZCQTE/
Amazon DE: https://www.amazon.de/Pinkerton-Man-Books-One-Two-ebook/dp/B01H1ZCQTE/

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Excerpt

STILES LANGBERRY HAD thought his world was perfect. He was considered handsome by most women and men. His father had graciously left him a very tidy sum upon his death, to do with as he pleased. His position of constable at Scotland Yard was one he enjoyed, mostly because he didn’t have to work for a living. And most importantly of all, he had the perfect discreet lover in the winsome Viscount Harold Crosby. Life was good, until…

Several months ago, the first letter had come. A blackmailer’s letter. It was descriptive, citing times and places he and Harry had enjoyed each other’s company. He ignored it. He told Harry to ignore the one he received as well. But Viscount Crosby turned out to be a coward wrapped up in a beautiful package.

Harry paid the requested amount and, by doing so, admitted his relationship with Stiles and opened the door to more letters. They came more frequently, demanding larger and larger sums of money.

Stiles refused to pay the demands and, since Harry was filling the filthy blackmailer’s pockets, the fiend had left him somewhat alone. That is, until poor Harry offed himself and the vile beast’s money stream dried up.

He still refused to pay, and shortly the letters stopped as suddenly as they had begun. Stiles hoped that whoever the blackmailer was, he’d given up or, more than likely, switched to some other poor sod for his pennies. He soon found out that wasn’t the case.

Book Trailer

About the author

CJ BATY lives in southwest Ohio with her very patient husband and two encouraging children. Her heart however, lives in the mountains of Tennessee where she hopes to retire some day. The mountains have always provided her with inspiration and a soothing balm to the stresses of everyday life.

The dream of writing her own stories started in high school but was left on the back burner of life until her son introduced her to Fan Fiction and encouraged her to give it a try. She found that her passion for telling a story was still there and writing them down to share with others was much more thrilling than she had ever expected.

One thing she has learned from life and she is often heard to say is, “You are never too old to follow your dream!”

C.J. BATY can be found at:

Website: http://cjbaty.blogspot.com.au/
Facebook: https://www.facebook.com/profile.php?id=344242482358480&fref=ts
Twitter: https://twitter.com/cbaty

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Sometimes it’s really worth checking out backlists. There are some marvellous books out there but with hundreds of new titles every week it can be very hard to find them.
Authors – have you got a title a year or more old that could do with a little love?
Readers – have you got a favourite book that you think deserves some attention?

Message or email me and we’ll set something up.

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I have a double favourite this week. My guest is Charlie Cochrane, one of my favourite people, and the book is Awfully Glad, one of my favourites of her books. It isn’t very long but it covers themes close to my heart – people who dare to be themselves and who have the courage to try and get what they really want even though the odds are stacked against them. Please do check it out, I’m sure you’ll love it as much as I do.

Blurb:

WWI hero Sam Hines is used to wearing a face that isn’t his own. When he’s not in the trenches, he’s the most popular female impersonator on the front, but a mysterious note from an anonymous admirer leaves him worried. Everyone realizes—eventually—that Sam’s not a woman, but has somebody also worked out that he also prefers his lovers to be male?

When Sam meets—and falls for—fellow officer Johnny Browne after the war, he wonders whether he could be the man who wrote the note. If so, is he the answer to Sam’s dreams or just another predatory blackmailer, ready to profit from a love that dare not speak its name?

Excerpt:

Corry ushered the gaggle of officers out, leaving Sam alone with the business of casting off one persona and putting his real face back on. While being Madeleine was always exhilarating—especially when some poor dupe fell for the trick—he was more comfortable in his own skin. He knew men who weren’t, of course, who’d have envied him this opportunity to prance about onstage and garner the temporarily deluded worship of ranks of young men, but that wasn’t his cup of tea. Somehow his being a rugby-playing, Military Cross-winning officer added a certain authority to the deception. A female impersonator he might be, but nobody would ever accuse him of being a pansy.
He considered his reflection, which was almost passable now that the red patches on his face, where he’d smeared off the make-up, had faded and his hair had been towelled to a tawny dark blond. He looked younger than twenty-seven, barely a touch of six o’clock shadow, which was why Madeleine was always so authentic looking, of course. He’d make some young lady a wonderful husband, as his family kept reminding him.
Except that was on the bottom of his list of priorities, possibly even below getting himself stuck on a piece of barbed wire.
Make some chap a lovely husband? Yes, well, less chance of that happening than George V coming out here, shaking the Kaiser’s hand, and putting this whole mess to an end right now. Still, he couldn’t deny that the last few minutes had been pleasant. Corry was a great bloke—if he knew, then he was keeping his own counsel—and the ginger-headed lad had blushed rather attractively, even if the rest of his face seemed to consist of rough and pockmarked terrain.
The other two officers had been a treat for the eye, though. Did somebody in the regiment have an eye for a handsome face and make sure the pair had been assigned to the same battalion?
A small shape, just at the corner of Sam’s vision, caught his attention: a small piece of writing paper, or something else of the same colour, between two jars of make-up on the makeshift dressing table.
He prised the thing out—a little piece of paper, which had clearly been folded with great care before being wedged in such a position as to be visible only to someone sitting in the chair. It hadn’t been there before the show, and he’d swear it hadn’t been there at the interval nor straight after they’d taken their curtain call, either. Which meant, presumably, that one of his little gaggle of visitors had left it. Except he hadn’t noticed anybody put it there, or even one of the officers touching the jars on the table. Someone must have had a good tactical eye, an appreciation for the lay of the dressing-table land, and the ability to make a bold but discreet move. That hardly narrowed the field, did it? They were army officers, after all.
He turned the paper in his hand, imagining some poor chump of a second lieutenant writing love lines to Miss Madeleine, leaving them here, and then not being able to retrieve them after the great denouement had occurred. How that chap would be squirming now at the thought of Sam reading the lines he’d penned and having a good laugh over them. Perhaps it would be kinder just to chuck the note in the bin, rather than making the man suffer embarrassment. He might have put his name to it, after all.
Still…

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I asked Charlie for a recommendation and this is what she said:

Too much choice! I’ll go with the first book which came to mind, which is Tamara Allen’s charming Whistling in the Dark. Such a gentle, atmospheric and beautifully written book, conjuring up a post-war America that’s trying hard to re-find its feet.

Whistling in the Dark

Biog and links: As Charlie Cochrane couldn’t be trusted to do any of her jobs of choice—like managing a rugby team—she writes. Her favourite genre is gay fiction, sometimes historical (sometimes hysterical) and usually with a mystery thrown into the mix.

She’s a member of the Romantic Novelists’ Association, Mystery People, and International Thriller Writers Inc., with titles published by Carina, Samhain, Bold Strokes Books, Lethe, MLR, and Riptide. She regularly appears with The Deadly Dames and is on the organising team for UK Meet.

To sign up for her newsletter, email her at cochrane.charlie2@googlemail.com, or catch her at:
Facebook: https://www.facebook.com/charlie.cochrane.18
Twitter: http://twitter.com/charliecochrane
Goodreads: https://www.goodreads.com/author/show/2727135.Charlie_Cochrane
Blogs: http://charliecochrane.livejournal.com and https://charliecochrane.wordpress.com/
Website: http://www.charliecochrane.co.uk

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