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New RE-releases!

Such good news this week as various authors begin to recover from the various upsets in the publishing world!

Charlie Cochrane’s wonderful Cambridge Fellows books are once more available, in paperback too this time!

We have a schedule for the re-release of JL Merrow’s Plumber’s Mate books, including exciting news of a brand new one.

And – like lightning – KJ Charles has got her self pubbed titles out of defunct Pronoun and back up with D2D.

I can’t believe that anyone who reads this blog is not as much of a fan of the above authors as I am but if you have missed out do yourself a favour. There’s nothing quite like the rush of warmth you get when reading something excellent for the first time.

Something for everyone today in new releases from Manifold Press! Click on the covers to find out more.

Firstly there’s Call To Arms, an anthology of LGBT themedstories set in and/or related to the Second World War and ranging from the 1930s to the modern era.

I’ve read this and there’s some absolute gold in there courtesy of Heloise Mezen, the editor, and authors Julie Bozza, Barry Brennessel, Charlie Cochrane, Andrea Demetrius, Adam Fitzroy, Sandra Lindsey, JL Merrow, Eleanor Musgrove, R.A. Padmos, Michelle Peart, Megan Reddaway, Jay Lewis Taylor and there’s one of mine too. Plus all the profits from sales go to the British Refugee Council!

This month’s full length novel is Spring Flowering, a stunning debut novel by Farah Mendlesohn

Everything changes for Ann Gray when her father dies and her closest friend Jane marries and moves away. Ann must give up the independence and purpose she found as mistress of her father’s parsonage in the country, and move to her uncle and aunt’s new-style house in the growing city of Birmingham. The friendship of Ann’s cousins – especially the mathematically inclined Louisa – is some compensation for freedoms curtailed. But soon Ann must consider two very different proposals, either of which will bring yet more change. Should she return to her village home as wife of the new parson Mr. Morden? Or become companion to the rather deliciously unsettling widow Mrs. King…?

And finally there’s my Calon Lan, the world’s weirdest m/m romance short!

As war rages in France, battles are also being fought on the Home Front.

Bethan Harrhy, farmer’s wife, does her best to keep her family happy as prices rise and the weather worsens. Nye, her husband, is angry and worried. Alwyn, her brother, is injured and shaken by his experiences in the trenches. Her baby is teething and there’s another on the way. Surely having her brother’s best friend to stay, another face, another voice, another pair of hands, can only be a good thing? But when Joe arrives, Bethan is forced to confront ideas she had never even guessed at and makes a terrible mistake.

With conflict at home and abroad, can there be a happy ending for any of them?

I feel as though I’ve been waiting for this book for ages but now it’s finally here!!

 

THE JACKAL’S HOUSE

 

 

About The Book

Something is stalking the Aegyptian night and endangering the archaeologists excavating the mysterious temple ruins in Abydos. But is it a vengeful ancient spirit or a very modern conspiracy…

Rafe Lancaster’s relationship with Gallowglass First Heir, Ned Winter, flourishes over the summer of 1900, and when Rafe’s House encourages him to join Ned’s next archaeological expedition, he sees a chance for it to deepen further. Since all the Houses of the Britannic Imperium, Rafe’s included, view assassination as a convenient solution to most problems, he packs his aether pistol—just in case.

Trouble finds them in Abydos. Rafe and Ned begin to wonder if they’re facing opposition to the Temple of Seti being disturbed. What begins as tricks and pranks escalates to attacks and death, while the figure of the Dog—the jackal-headed god Anubis, ruler of death—casts a long shadow over the desert sands. Destruction follows in his wake as he returns to reclaim his place in Abydos. Can Rafe and Ned stand against both the god and House plots when the life of Ned’s son is on the line?

Title:    The Jackal’s House

Series:    Lancaster’s Luck: Book II.   Sequel to The Gilded Scarab

Publisher:    Dreamspinner Press

Publication Date:   30 October 2017

Genre:    Steampunk adventure m/m romance

Wordcount:    c111,600

Cover Artist:    Reese Dante

Illustrator (Map):    Margaret Warner

Goodreads

 

About The Series

 

description here description here
The Gilded Scarab The Jackal’s House

Lancaster’s Luck is set in a steampunk world where, at the turn of the 20th century, the eight powerful Convocation Houses are the de facto rulers of the Britannic Imperium. In this world of politics and assassins, a world powered by luminiferous aether and phlogiston and where aeroships fill the skies, Captain Rafe Lancaster, late of Her Majesty’s Imperial Aero Corps, buys a coffee house in one of the little streets near the Britannic Museum in Bloomsbury.

So begins the romantic steampunk adventures which have Rafe, a member of Minor House Stravaigor, scrambling over Londinium’s rooftops on a sultry summer night or facing dire peril in the pitch dark of an Aegyptian night. And all the while, sharing the danger is the man he loves: Ned Winter, First Heir of Convocation House Gallowglass, the most powerful House in the entire Imperium.

Find out more about the Lancaster’s Luck books and the world of Rafe and Ned

Excerpt

I like kissing.

Like Ned, I’d spent years in hiding. His constraint had been matrimony and the sense of honor and duty that would never have allowed him to be unfaithful to the mother of his sons. Only her untimely death had released those bonds. Mine had been less noble: I had no desire for a court-martial and a dishonorable discharge from Her Imperial Majesty’s Aero Corps. Most of my encounters over the years had been quick and furtive, but I’d taken every chance I could to practice my technique.

I not only liked kissing, I was good at it.

Fast little kisses to start with, kisses that barely made contact with the skin of Ned’s throat, kisses meant to tease. He tilted his head back to let me in, closing his eyes. His mouth opened on a soft sigh. I hoped he was giving himself up to the pleasure, losing himself in it, that nothing mattered to him at that moment except the feel of my mouth on his throat and lips. I hoped so. I wanted to please him.

I kissed and licked the delicate skin under his ear until he choked with laughter at the tickling. He tightened his grip on my hands and tugged at them until I raised my head. Ha! He’d lulled me into trusting him there and took full advantage of it. He swooped to capture my mouth with his, cutting off breath and thought, bringing a dizzying warmth with his hot tongue, and making me moan.

Of course, they were very manly moans.

 

Buy Links

Dreamspinner Press ebook  |  Dreamspinner Press paperback

Amazon.com  |  Amazon.co.uk  |  Apple iBooks

B&N  |  Indigo  | Kobo

Giveaway

Enter the Rafflecopter draw for

  •  1st prize—$25 or equivalent Amazon gift card
  •  2nd prize—a signed paperback of the first Lancaster’s Luck book, the Gilded  Scarab.

About Anna

Anna was a communications specialist for many years, working in various UK government departments on everything from marketing employment schemes to organizing conferences for 10,000 civil servants to running an internal TV service. These days, though, she is writing full time. She recently moved out of the ethnic and cultural melting pot of East London to the rather slower environs of a quiet village tucked deep in the Nottinghamshire countryside, where she lives with her husband and the Deputy Editor, aka Molly the cockerpoo.

Website and Blog | Facebook | The Butler’s Pantry | Pinterest | Twitter

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It’s always fun to try something new and, for me, this week, it’s a podcast story. I’ve listened before to Night Vale – who hasn’t? – but I’ve never listened to an audio book or heard a story read by an actor in a less formal setting.

This came about as part of a Facebook thread on the Queer Sci Fi group. We were all invited to post about what we wrote – which meant I was completely out of place since the majority of my work is historical – and then the person who made the original post paired off all the writers with the idea that we could read each other’s work and maybe do a bit of cross promotion. I’m delighted to say that I was paired up with Heather Rose Jones whose rendering of the stories of the Mabinogion as Merchinogion are absolutely my type of thing to read.

My favourite edition of the Mabinogion is the one illustrated by Alan Lee

The Mabinogion is a collection of ancient stories that weren’t written down until the 12th century and weren’t properly translated until the 19th century. Lady Charlotte Guest, a friend of our local Welsh loving Lady Llanover, made the first translations expanding upon previous work by scholar William Pughe. These stories contain many of the themes found in British mythology and also some of the oldest references to King Arthur. Just for clarity, in Welsh ‘mab’ means son/boys so Mabinogion is stories of the sons – ‘merch’ = daughters/girls 🙂 and that makes a lovely change.

Heather’s stories also feature a leading lady called Elin who is WAY cooler than I am!

Even more interesting – these stories have been produced as a podcast so you can listen to them or read the text. I particularly enjoyed the bilingual blurbs. I may not know more than basic Welsh but it’s a lovely language to hear spoken. Because it is an ancient language it has had to work hard to catch up with the 21st century. Old words take on new meanings and so the language builds up layer upon layer. The first story “Hoywverch” can be split neatly – hoyw and verch – and could be rendered merely as ‘gay women’ according to the dictionary, but scrape away just a little from the surface and they are also “radiant, illuminated and brilliant ladies” and I find that very satisfying. Book two is entitled “Hyddwen” – the white deer – and that taps straight into a powerful otherworldly celtic motif. These stories are beautifully written, with a wonderful rhythm to them and delicate little descriptions spark throughout the plot.

Here is Hoywverch and here Hyddwen. I hope you enjoy them as much as I did.

Bio:

Heather Rose Jones writes fantasy, historic fantasy, and historical fiction, including the Alpennia series with swordswomen and magic in an alternate Regency setting. She blogs about research into lesbian-like motifs in history and literature at the Lesbian Historic Motif Project which provides inspiration for her fiction. She has a PhD in linguistics, studying metaphor theory and the semantics of Medieval Welsh prepositions, and works as an industrial failure investigator in biotech.

Heather has a page on Facebook and can also be found on Twitter.

I’m more than happy today to be hosting my good friend and mentor Charlie Cochrane, general good egg and huge fun as well as being the wildly talented author of some of my favourite books. Her latest offering in the terrific Portkennack series was released recently and she has been kind enough to answer my questions about it.

Welcome, Charlie!

I’ve read all the Porthkennack books so far and have been delighted at how they paint a picture of the community, past and present. With each book a little more is added to the portrait. What do you like best about writing in the Porthkennack sandbox?

Where do I start? Playing with other people’s toys is always fun, as is working with their ideas. I confess to having had concerns about writing in a universe that had been invented by somebody else, but it’s been remarkably freeing. I guess all the hard work of world building has been done for us.

It’s also been good working with other authors who are also friends. In the early days be bounced lots of ideas of one another, from where the museum would be and who’d run it, to names for the local beer. These things are vitally important!

What non-spoilery plans do you have to add to the village or, on the other hand, is there anything you feel would be inappropriate to find in such a thriving community?

I’ve been fortunate to write one contemporary and one historical, so the different time settings has allowed me to write in a totally different way about the same place. The storylines haven’t had to interact, although there is a thread of buildings and locations which recur in the two stories. I think I’m the only author – so far – exploring Porthkennack in its immediately post Great War guise.

In terms of inappropriate, the thing which would worry me is if Porthkennack turned into a community where everyone was LGBT, a sort of fantasy land which would not be true to its geographical location. Avoiding that will mean a light touch from all those involved, but I’m sure we can deliver on that.

What one commemorative event do you feel has best encapsulated the tragedy and pathos of the “War to End All Wars”?

Oh, what a question. I’d have to say the poppies at the Tower of London. For me, it captured the sheer scale of the losses; every poppy was somebody’s child. Running those a close second would be the events commemorating the Battle of the Somme and the Third Battle of Ypres (Passchendale). Russell Tovey as Tubby Clayton was superb.

What are you working on now and can we have an excerpt, please?

I’m working on the second draft of another Cambridge Fellows mystery novella. This is very rough and ready! Orlando is trying to get two minutes of peace in the college garden.

“I wondered if I’d find you here.” Jonty’s voice sounded through the railings of the gate.

Orlando looked up, as though completely surprised. “Oh, hello. I was trying to find a moment’s peace.” He waved the papers.

“Sorry. Didn’t realise you were hard at work with your sums. I thought you might be sunbathing. Or resting your legs after the cricket.” Jonty plonked his backside two feet along the bench.

“And how exactly did you know I might be here?” Orlando asked, neatly sidestepping the aching legs issue.

“You were seen by Swann, that rather nice new porter. Limping along—you, not him and his words, not mine—in this general direction. I deduced,” Jonty grinned at the word, “that you’d not make it all the way home so would likely seek a few minutes of repose. And what nicer place could a man find to repose in than this?”

“That last point is indisputable,” Orlando conceded. “Although I’ll take issue with ‘limping’. I merely had a stone in my shoe and had to find a suitable place in which to remove it. I have killed two birds with the proverbial stone.” He brandished the papers again, having risked contradicting his earlier statement.

“You’re not very good at telling fibs, so I don’t know why you bother.” Jonty gazed up at the sky. “What a beautiful day. God’s in a very blue heaven and all is right with the world. Have you had a good day?”

“Excellent, thank you.” Orlando slipped the papers back into his briefcase—what was the use of pretence? “You?”

“Pretty good. All set for the arrival of the dreaded dunderheads. I see the college staff are fumigating the rooms and nailing down anything pawnable in preparation.” Jonty narrowed his eyes then sighed. “All we need now is a case. I think I’ve sufficiently recovered from the last one.”

“I’m not sure I’ll ever recover.” Orlando rolled his eyes. Being asked to defend one’s deadliest enemy on a charge of murder, and in circumstances where superficially he appeared to be as guilty as sin, would have tried the patience of any man. “But another case would be very gratifying.”

“And it would stop you moping.” Jonty gave a sly little sidelong grin.

“I haven’t been moping! Have I?” Orlando added, guiltily. He couldn’t deny his thoughts had turned more than once to the intellectual stimulation of a case, and how much he had missed it through the summer months. Even when they’d holidayed on Jersey he’d occasionally wished a nice, juicy mystery might fall across their path. Not a murder, as he wouldn’t wish that on anyone, but perhaps a missing item to be located or a—

Jonty’s voice cut into his thoughts. “Are you listening? What do you think?”

Orlando, who’d learned it was pointless to pretend he’d been listening or to venture something like, “I need time to consider the matter,” said, “I think I’ve forgotten to pick up the post from my pigeon hole. I’ll need to go back to the porters’ lodge.”

About the Book


Michael Gray returned from World War One injured, but at least he returned. Others were not so fortunate, including his first and greatest love, Thomas Carter-Clemence, with whom Michael had parted bitterly before the conflict began.

Broch, the Carter-Clemence home in Porthkennack, was an integral part of pre-war holidays for the Grays, the two families drawn together in the wake of their sons’ friendship. Returning to the once-beloved Cornish coast for a break with his sister and her family, Michael has to find the courage to face old memories . . . and dare new relationships.

When Thomas’s brother Harry makes an unexpected appearance, Michael is surprised to find himself deeply attracted to Harry for his own sake. But as their relationship heats up, it unearths startling revelations and bitter truths. Michael must decide whether Harry is the answer to his prayers or the last straw to break an old soldier’s back.

Buy Links

Riptide Publishing | Amazon UK | Amazon US | Kobo | Smashwords | iTunes

 

About the Author

Photo by Templedragon


Because Charlie Cochrane couldn’t be trusted to do any of her jobs of choice—like managing a rugby team—she writes. Her mystery novels include the Edwardian era Cambridge Fellows series, and the contemporary Lindenshaw Mysteries, while her romances feature in the Portkennack series.

A member of the Romantic Novelists’ Association, Mystery People and International Thriller Writers Inc, Charlie regularly appears at literary festivals and at reader and author conferences with The Deadly Dames.

 

Links

Website: http://www.charliecochrane.co.uk

Blog http://charliecochrane.livejournal.com/ and https://charliecochrane.wordpress.com/

FB: https://www.facebook.com/charlie.cochrane.18

Twitter: https://twitter.com/charliecochrane

GR: http://www.goodreads.com/author/show/2727135.Charlie_Cochrane

 

 

Snippetry

Time for another totally random snippet of a work in progress – because there always in a work in progress even if the progress is sometimes veerrrryyy veeerrrryyy sloooooow.

Here’s a bit – rough as a badger’s – of Close Shave, book 2 of the Pemberland series, in which barber Terry plies his trade:

Market day in Pemberland was always a crush. The market hall, echoing abode of pigeons on most days, was cleared out and stalls set up. Cars lined the streets, many of them genuine off road jobs with mud to the hubcaps and dog hair, binder twine and sheep shit on the back seats. If the farmers, their kids and spouses only came to town once a week they had a lot to fit in and hair-cuts were popular.

Typical of bloody Kevin, Terry thought. Why did he have to pick now to play the family card.

Not that Kevin was family – not any more. Julie had fled their grim little flat in Pemberland and had returned to the family home with her kids and just what they had stood up in. Terry and his Dad had to go to the flat to collect her clothes and the kids’ things and Rob had come along to, as he put it, provide some muscle. The state the place had got into, just in the week since Julie had left it, had been shocking. Kevin just didn’t seem to be able to see that being a layabout might hurt his family but the final straw for Julie was when he’d forgotten, again, to pick them up from school and their six year old twins had been found trying to walk home in the rain. Terry could have killed Kevin for that alone, but Julie had admitted that was the least of it.

“I don’t mind working,” she said, “and I don’t mind being the responsible one, but he drinks every penny and his friends – oh dear lord, his friends make me sick and that Wiggy… He’s just not normal and Kevin thinks the sun shines out of his arse. I don’t think Kev’s normal either, not when he’s on the cider.”

“Like father like son,” Dad said. “Though I guess you wouldn’t have had this trouble with Rob.”

Terry thought wistfully of Kevin’s brother who had led the tweedy little museum curator astray and seemed to have moved into in the flat upstairs. Not that Terry and Rob had ever… Not really each other’s type. And not that Mal was little – everyone seemed a bit on the small side to Terry – but their blissful domesticity sounded so nice.

He made one last sweep of the razor across Gary’s gleaming scalp and wiped the blade with a towel.

“You’re done,” he said. “If you could settle up with Lil on the way out?”
They all drew back as Gary called Morris and the mountain of fur got up and padded after him to the door. “Rugby practice Monday?” Gary asked.

“Usual time, usual place,” Terry said. “Next.”

“That’d be me.” Kevin began to get up.

“No it wouldn’t.” The heavy set farmer next to him nodded to the other room. “It’s that young bloke in there, then me, then Alwyn, THEN you.”

Terry, who knew exactly who was where in the queue but had been giving Kevin a chance to do the decent thing, leaned into the doorway of the ladies’ salon. “Mal, your turn.”

Mal was perched on a stool by Lydia Garth and seemed to be showing her photos on his phone. He grinned at Terry, murmured to Lydia, making her laugh again then got up and hurried in.

“Lydia’s going to London to see Kinky Boots,” he said as he got into the chair. “Lucky lady. She’s offered me a lift to Hereford.”

“Meeting at County Hall again?” Alwyn Derry looked up from his copy of the Chronicle. “What’s it about this time?”

“Budget cuts, as usual.”

“What do we need a museum for anyway?” Kevin muttered, levelling a poisonous look at Mal. “It’s shameful the way they’re wasting our tax money and cutting benefits to people who need ’em.”

“Since when did you need them?” Alwyn turned a page in the paper. “When I was in Rowbottom’s he said he’d given you a job clearin’ out those old garages.”

“Yeah? So? That’s why my back’s bad now, isn’t it?” Kevin rolled his eyes then went back to glaring at Mal. Terry caught his eye in the mirror and Kevin flushed and turned away.

“Now Mal,” Terry ran his fingers through the fine brown hair still holding its shape well from the last cut but a little shaggy around the ears. “Just a trim is it or do you have something more ambitious in mind.”

“Oh God no, just a trim please.” Mal grimaced. “Got to look smart and professional if I’m going to beg, haven’t I?”

Terry snipped away at the fine brown strands until he felt Mal passed muster – smart but not too traditional – then rubbed some product into the hair and combed it into a rather racier shape than, he knew, Mal could be bothered to achieve on his own.
“There,” he said. “Knock ’em dead.”

“I’ll try.” Mal grinned his thanks as he got out of the chair. “I’ll go keep Lydia company, she must be almost done.”

“Cool, and can you send Adrian in to sweep up?” Terry waved him out of the way. “Next.”

Snippetry

I’m out of the habit of posting snippets. Mostly because I don’t write as much. But here’s a little bit of Midnight Flit [working title], a sequel to Eleventh Hour set in 1931.

Miles and Briers are back together after six months apart:

Miles felt squashed and sticky, breathless and bruised – because the cushions weren’t that thick despite the layer of bedding and the carefully positioned towels Briers had laid down. He also felt bloody marvellous.
“Thank you,” he whispered.
“No – thank you,” Briers said. “Can’t remember the last time I came that hard.”
“I do,” Miles said grinning at the street lamp light on the ceiling. “It was in that meadow above Chamonix when we were having a roll in that haystack and those hikers came along and had a picnic round the other side of it and we were both already too far along to stop. You said the same then. I think danger must sharpen the sensation for you or something.”
“You think?” Briers shifted enough to bite Miles’s ear. “I didn’t notice you being a shrinking violet. I didn’t notice you saying “no, no stop it immediately”. I mean, if you’d really wanted me to stop I would have done.”
“Oh, but when would we have got another opportunity. Perfect haystack, perfect view of Mont Blanc. There were even goats.”
Briers snorted. “And you acted out a fantasy you’d had ever since reading Heidi, you lovely little pervert, you.”

More another time.

This will be available on November the first but is up for pre-orders now. Personally, I can’t wait for my copy.

Seventeen stories, thirteen authors, a second war. Once again Manifold Press’s writers explore the lives of LGBTQ+ people and their war-time experience in cities, towns and countryside across the world.

Amidst war and peace, in the thick of violence or in an unexpected lull, these stories of the Second World War take the reader far and wide: through Britain, Europe, Asia and South America, from loss and parting to love and homecoming. As for home, it may be an ordinary house, or a prison camp, or a ship: but it is, in the end, where you find it, however far you have to go. Read this book, and make the journey yourself.

An anthology edited by Heloise Mezen and featuring authors:

Julie Bozza – Barry Brennessel – Charlie Cochrane – Andrea Demetrius
Adam Fitzroy – Elin Gregory – Sandra Lindsey – JL Merrow – Eleanor Musgrove
R.A. Padmos – Michelle Peart – Megan Reddaway – Jay Lewis Taylor

94,500 words/TBC pages
$6.95

Please note: All proceeds will be donated to the British Refugee Council (Registered Charity No. 1014576).

Publication 1 November 2017 but the book is available for pre-order now

Amazon US pre-order link | Amazon UK pre-order link | Smashwords link
Barnes & Noble pre-order link | Kobo pre-order link

More information, including a complete line up of all the stories, is available from the Manifold Press website.

Can’t wait to get my hands on this book!

My guest today is that most delightful of things, a brand new shiny author just out of the wrappings. So, if you like, you can view this post as being a bit like one of those unboxing videos?

I certainly ‘unboxed’ the ARC of Golden and found it to be huge fun – pirates, dragons and harem boys – what’s not to like?

Anyhow, here’s RL Mosswood. Welcome and thanks for being such a good sport about answering my questions.

~*~*~

Can you tell me a little about yourself? For instance, do you have to have a day job as well as being a writer?
Oh yes! I actually pay the bills by originating mortgages, which is more than a full time job because people get very keyed up by the process around buying a house. I’m regularly texting with clients at 9 and 10 at night, and working on emergency approvals over the weekend. I also dabble in audiobook narration and my partner and I grow, preserve, and cook most of our own food on our homestead which is a job in itself.

When you aren’t writing, is there any other creative activity you enjoy? Have you ever written about it?

Everything. I’m a huge crafter. I crochet, knit, sew, spin, paint a little… I haven’t written about it much, but one of the main characters in my current work in progress is a fiber artist who raises sheep. He’s more accomplished than I am, but the idea wouldn’t have ocurred to me in the first place if it wasn’t something I enjoyed myself.

What are you reading? Can you recommend something that you wished you’d written yourself?

I’ve been so overwhelmed with harvest season and the Golden release that I’ve gotten really behind on my to-be-read list. Your book, The Bones of Our Fathers, is actually what’s up on my e-reader right now. I’ve been working my way through it one chapter a night by reading it to my five year old at bedtime (I stop reading out loud if things get steamy).

In that crucial inspiration stage of a new story which comes first? Plot, situation or character?

I often start with a feel. A setting, a mood, a few bits of description that sort of set the tone. From there, I start to get the idea of the kind of story that could happen in that setting and the kinds of characters that would exist there. The story and characters evolve together, informing one another as the whole thing develops.
Do your characters arrive fully fledged and ready to fly or do they develop as you work with them? Do you have a crisp mental picture of them or are they more a thought and a feeling than an image?

They definitely develop as I write. For instance, I had an idea of Hathar when I started: strong, capable, devil-may-care with confidence bordering on swagger, but I had no idea he was funny until he started saying things that made me laugh.

Is there any genre you would love to write, ditto one you would avoid like a rattlesnake?

I love historical, and would love to write historical, but given that I can barely find time to write at all, I feel like I wouldn’t get anything done if I had to add in time to research all the little details that I would want to get right. Some day, when the kid is grown and I have more leisure time, I’ll dig out my list of plot bunnies and start working through the ones I can’t do justice to right now.

What inspired you to write about dragons and harems and treasure?

This is exclusive content I’ll only admit to here: 10 months ago, I was at a queer fiction convention with only the tiniest inkling that it might be fun to try my hand at writing something of my own. There was a call for submissions at the back of the program that became the seed of the idea for Golden. It was all an experiment really, to see if I could even write a story that was more than a couple of pages. Turns out, I can.

What are you working on at the moment? Can you discuss it or do you prefer to keep it a secret until it’s finished.

It might be a little too strong to say that I’m “working on” it, because that implies that I’m currently making progress, but the next thing in the queue is a contemporary romance that takes place on a permaculture sheep farm. It’s fairly quiet and down to earth, based a lot in my real experiences – pretty much the opposite of the fantasy adventure that is Golden, but I hope readers will stick with me and enjoy it.

Could we please have an excerpt of something?

A sample from Golden:

The baths were unlike anything Hathar had ever seen. Granted, it was a palace, so he had expected luxury, but not on this scale. Large enough to easily accommodate twenty men, the room was completely clad in glowing white marble interrupted only by tasteful, intricate mosaics of fanciful sea creatures. It was filled with warm, diffuse light from windows slatted for privacy and vast domes on the ceiling that seemed to be made of a thick, translucent glass. Past an assortment of platforms and benches for preening and lounging, a steaming pool set into the floor took up a large corner of the room. Constantly refreshed by water bubbling forth from the mouths of carved stone fish that appeared to be eternally leaping from the walls above, the pool overflowed into discreet drains set around its edges. As Hathar gawked at the opulent room, the young man who had taken him from the guard was preparing himself for the baths, removing his shirt and hanging it on one of a series of hooks carved into the stone near the door. Hathar looked back now, just in time to see him shucking off his loosely fitted silken trousers. This was another kind of opulence. The boy’s beauty was at least the equal of the room. His form was slender, but not scrawny. His skin was smooth and full over the contours of his modest muscles, a testament to a life without lack and plenty of tender care. He was fair, but there was a golden undertone to his complexion that was echoed in the burnished gold of his curls and his uncanny amber eyes, which came into view as he straightened. Whoever ran this place had taste, Hathar had to give them that.

~*~*~

Golden

Author: R.L. Mosswood

Release Date: September 25, 2017

ISBN: 978-1-947139-91-6
Format: ePub, Mobi, PDF

Cover Artist: Natasha Snow

Category: Romance
Genre: Sci-Fi/Fantasy
Word Count: 33500

Sex Content: Explicit
Pairing: MM
Orientation: Bisexual, Demisexual, Gay
Identity: Cisgender

Purchase Links:

NineStar Press: https://ninestarpress.com/product/golden/
Amazon: https://www.amazon.co.uk/dp/B075DG7WCD/
Barnes & Noble: https://www.barnesandnoble.com/w/golden-rl-mosswood/1127062192?ean=2940154536094
Smashwords: https://www.smashwords.com/extreader/read/746310/1/golden
Kobo: https://www.kobo.com/gb/en/ebook/golden-34

Golden

Book Blurb
Harem boy might not be the most appropriate role for someone who’s never really seen the appeal of sex, but Elin’s status as dahabi: golden in a land of tan and brown, has marked him for The Dragon’s service since birth. He’s content enough with his life of uncomplicated, if restrictive, luxury, until an unremarkable chore becomes a case of love at first sight.
Mysterious newcomer Hathar, a roguish “merchant adventurer” from far-off lands, ignites an exploration of Elin’s first taste of physical desire, as well as a desire to experience life beyond the palace. Now, they must find a way to escape The Dragon’s clutches before Hathar’s ship departs, stranding them forever as dahabi of the haram.

If you’d like to follow R L Mosswood she can be found on her website here.

Plot bunnies

I’ve been out of bed for half an hour – awful night thanks to the cat who spent several hours thundering around the house and is now curled up on my lap sleeping the sleep of the totally knackered. And in the half hour I’ve been up I’ve been very severely plot bunnied. Normally the stealthy little so and sos creep up on me over months so i get multiple ideas that coalesce into something useful but often I’ve forgotten where they come from. Bt today they all happened so fast that I thought I’d share the thought process.

It’s all Nigella Lawson’s fault.

Photo from BBC iChef

Yes you can smile, you baggage!

So there I was under the cat, cwtched up to the dog, zombily sipping tea with Saturday Kitchen on the telly when Nigella said something about not wanting something to come to a ‘rollicking boil’.

Wham! There was a title AND a character. Rollo Boyle, Irish, of course, a groom turned off by his last master who moved up in the world and wanted someone posher and more servile to run his stable, so, totally pissed off, Rollo heads for home but ends up – wrong place, wrong time – hunted as a highwayman.

Charles Keeping of course, from his illustration series for Albert Noyes rollicking poem

Thump – now I’ve got that damned ‘riding riding riding’ hoofbeat rhythm running through my mind.

Naturally Rollo is a gentleman highwayman, rather than the reality which were mugging bastards who’d smash the fillings from your teeth if they saw the flash of gold. Maybe something along the lines of Jack Carstares in Heyer’s Black Moth?

There are better covers but this is the one on MY copy.

The Black Moth reads like the ecstatic outpourings of a dedicated fangirl – and that’s about right because it’s Heyer’s first book and she was only 19 when it came out. So much angst and passion!!

*considers* naaaaah I cant do that but I can have a bit of fun with the trope. Naturally Rollo must have a great love and make an amazing ride to save him but who could that be? Working on the principle of Sellar’s and Yeatman’s adage that history is what you remember, how many highwaymen do people know about – errrrrrmmmmm – YES Swift Nick!

So Swift Nick was Dick Turpin’s apocryphal sidekick and I don’t see why Nick, Dick and Rollo can’t be a love triangle. Come to that Turpin can be the villain, Rollo’s past employer be a receiver of stolen goods, and at the end Rollo and Nick embark on a ship from Bristol to the Indies where they can enter into happy matelotage.

Believe me when I say that if you read the Newgate Calendar some of the REAL guys did things that the average m/m reader would say ‘no too far fetched’.

And highwaymen were popular subjects of popular songs:

Did you ever hear tell of Rollicking Boyle,
A hero of great renown,
Who boldly bestraddled a galloping nag,
Eastward of London Town

Now when he rode on the highway,
He always had money in store.
And whatever he took from the rich
He freely gave to the poor.

He ne’er robbed a poor man of tuppence
And he ne’er took innocent life.
But the militia took to the road in his wake
Because he’d ne’er take a wife.

And probably a whole load more verses but my head is spinning now and I need another lie down.

Anyhow, yeah – that sort of violent invasive plot bunnying happens to me frequently.

So remember today, because if ever a book called The Ballad of Rollicking Boyle comes out you’ll know you can blame Nigella Lawson.