Feeds:
Posts
Comments

Though it was more like a chaise longue, really.  I was interviewed by the lovely Charlie Cochrane, who asked all manner of questions about short stories, erotica and genres. If you’re up for it you can read the interview here.

Meantime, I am preparing more interviews with other authors. Next up – Theo Fenraven!

Good grief, this is my hundredth post since starting this blog! Just for a bit of fun, this weekend there will be a mini blog hop for my fellow authors of Hallowe’en Heat I. I’ll be posting links to visit for a chance to win prizes – yes, <i>prizes</i>! No idea what they will be. Won’t it be fun to find out?

Six Sentence Sunday

Here we go again – click here to see the Six Sunday site where this week one hundred and eighty three authors have signed up to show six sentences of their published works or WIPs. Click on that link and a whole world of fiction will open up for you – eveything from gritty dystopian futures, or pasts, action adventures in strange places, and familiar ones, Love stories where girls lust for boys, boys sigh for girls, and a big hairy warrior picks a wild rose bud to tuck in the shoulder brooch of a dearly beloved shield brother.

But I’m getting a bit ahead of myself there.

My six this week is, as usual, from A Fierce Reaping. Cynfal needs armour, Gwion has some. Cynfal has very little to trade but Gwion is comely, lonely and looks like he needs a good seeing to. A solution that should solve all their problems suggests itself.

~

Cynfal had been into Gwion’s home, had seen the bed he had shared with his dead lover.  As he left, he took care not to look back this time because to do so, he felt would be pushy. Or perhaps the attention might give Gwion the feeling that despite being damaged he was still worthy and that might help things along?
He couldn’t decide and, by the time he had made up his mind, Gwion was out of sight again with only the sweet drift of notes to show he was there at all.  Cynfal scowled. It was so much simpler when all one wanted was a good time – seduction as a means to an end was too much like hard work.

My guest today in the Comfy Chair – for the second time, no less – is Charlie Cochrane, best known as the author of the “Lessons” series of murder mysteries, but also for her contemporary and historical romances and as a passionate observer of sports and the men who play them [just not football].

Welcome, Charlie. Take the weight off. Ready? Here we go.

Elin: With the Lessons series edging, in story chronology, into the third decade, can you see a time where Jonty and Orlando might take off their sleuthing specs and settle down to enjoy their professorships? Or once an investigator, always an investigator?

Charlie: I don’t think Orlando could ever let the investigational element go. It’s his equivalent of doing Sudokus or crosswords or playing Fifa 13. Jonty’s less bothered (although he likes sleuthing more than he lets on), but he likes to see Orlando happy. So I guess, like Bryant and May, they’ll just carry on… (And as long as they keep whispering ideas in my ear, I’ll write them.)

Elin: As relationships mature, partners get more alike. True or untrue?

Charlie: Um. Not sure. I’ve known Mr Cochrane since 1977 and I’m not sure we’ve grown any more alike in tastes, opinions or appearance. (Except that, at my age, I’m beginning to learn how to grow a moustache!) Maybe we just grow more tolerant of each other’s eccentricities.

And there’s no risk of Jonty and Orlando growing alike. Too like chalk and cheese, they exist in a state of mutual tolerance fostered by them still being dotty about each other, even as they grow more crumbly.

Elin: Is there one story in the Lessons canon that you would like to write but have declined to tackle?

Charlie: Do you want the honest truth? What really happened to them in WWI. I know that canon says they both survived (even if in complicated circumstances), but at that point canon deviates from what I think happened. (Does this AU nature of my own writing thoughts make any sense? It does to me, but that’s not saying much.)  Anyway, I think that the lads both died on the same day, within hours and miles of each other, probably at the Somme. Jonty would, at least, have appreciated the irony of being so near Agincourt. Far too sad to write any of that, or to have had one of the lads survive and not the other.

Elin: I think it’s as well you didn’t. I’m choking up just thinking about it. Quick change of subject – I loved your book “Tumble Turn” about swimming ace Ben Edward’s quest for love and Paralympic gold. Have you ever written about disabilities in an historical setting?

Charlie: I’ve been racking my brains and I don’t think I have. One of my minor characters, Rex, in the Cambridge series lost his lower leg in a riding accident and wears an artificial one. I also have people who’ve been injured in WWI but I think that’s as close as I get. Maybe I should rectify that!

Elin: Have you got any recommendations for us bookwise? What are you reading at the moment? Works of reference? Funtime reads?

Charlie: I’m about to tackle “Mr Brigg’s Hat”, which is an account of Britain’s first railway murder. Will let you know what I think of it when I’m done. My reading is always eclectic, so recently I’ve been devouring some cosy mysteries and having my regular re-read of “The Charioteer”. If you want a recommendation, I’d say “Unravelling Piltdown” by John Evangelist Walsh. Great if you like any or all of history, science and the follies of human nature.

Elin: Could we please have an excerpt of something – either in the can or soon to come?

Charlie: Of course. This is something a bit different. It’s from my short story “Music in the Midst of Desolation

Blurb: Old soldiers never die — they get whisked straight back to earth to take part in angelic “manoeuvres”. Patrick Evans has no idea why he and Billy Byrne, who fought their wars a century apart, have been chosen for this particular “op”, nor why it seems to involve fixing up the man Billy left behind with someone Billy’s always hated. When Patrick realizes his old lover also has a connection to the case, will the temptation to refuse orders become too great?

~*~

“About your job. Got a good memory or do you want to make notes?” Neville produced a notepad and what was evidently a modern version of a pen.

“Both.” Patrick smiled, taking the notepad but using the little propelling pencil he’d found in his dunnage. “Belt in the brain and braces on paper.”

It seemed like he’d given the ideal answer. “Excellent. There’s a file of information for you, of course, but that’s never like your own notes, is it? Right, first thing you need is a name. Billy Byrne.”

“B-Y-R-N-E?”

“Spot on. Lieutenant William Byrne, The Countess of Wessex’s Regiment, recently returned from Iraq and run down by a lorry first day in civvy street. Ironic, eh?” Neville dunked a biscuit in his tea, consumed it, then carried on. “Barely any time to process him at HQ—he’s got a job to do down here. Needs a bit of help and you’re the man to do it.”

“Am I?” Patrick sat up with a start. “You know, I’m still no clearer about what I’m supposed to be doing.”

Neville obviously didn’t indulge in eye rolling, like Marjorie had done. Instead, he expressed his disappointment by stroking his moustache. “What do they teach you youngsters? Has no-one briefed you at all?”

Patrick shrugged. “Not that I’m aware of. I was simply told to get myself ready, and almost the next thing, I was being whisked down here and landed at Waterloo Station. Marjorie appeared to scoop me up. Nobody told me why or what was required of me.”

“Communication breakdown.” Neville shook his head and took consolation in another dunked biscuit. “Happening more and more. Enemy forces at work, I suppose.”

Plus ça change? Patrick took another biscuit himself; this was going to be hungry work.

“Nothing for it but to learn on the job. No other choice, really. Plenty of the lads here will help you along.” Neville’s clipped tones were somehow reassuring, redolent of bloody good commanding officers Patrick had known. “Different cases, different techniques, same sort of principles.”

“I’m sure they’ll be very helpful, s…Neville.” Patrick stopped himself saying “sir”. “Exactly what sort of case will I be dealing with?”

“Like most of the personnel here, helping out someone who needs something a bit out of the ordinary. Helping out on both sides, really. Perhaps if you haven’t been briefed, then you’d better start by reading this.” Neville pushed what appeared to be a dossier of information across the table. “I suspect this will keep you occupied much of the rest of the day. Better get up to speed—first rendezvous tomorrow.”

Patrick’s heart sank. First rendezvous? What did that mean, and however would he be prepared for it? Maybe the answer lay hidden in this great big dossier. He turned over the folder, noted the title “Robert Woodward, c/o William Byrne” and began to read.

~*~

Many thanks for agreeing to be interviewed,  Charlie!

If you want to follow Charlie online, her details are below:

Website: http://www.charliecochrane.co.uk

Blog: http://charliecochrane.livejournal.com/

Twitter: https://twitter.com/#!/charliecochrane

FB: https://www.facebook.com/profile.php?id=100000878813798

Twitter Party anyone?

The guys at Etopia have organised a massive Twitter Party to celebrate the release of the Halloween Heat erotica anthologies, because there’s not just one but SIX of them! Whether you particularly enjoy sweet m/m or extremely raunchy menage there will be a story to suit you.

Come meet the fantastic authors that created the Halloween Heat mini anthologies for your Trick or Treat!

We’ll have pretty much any genre of heat you can imagine and then some!

So, here’s a list of the lovely authors participating in the Twitter party!!!

Antonia van Zandt
Brooklyn Wilde
Eden Summers
Elin Gregory
Jennifer James
Kiran Hunter
Mina Carter
Rachel Firasek
Rhonda Laurel
Sue Lyndon
Tara Lain
Tristram La Roche
Milly Taiden

So, be sure to find us on Twitter! Oct 5th at 9:00 pm Eastern! Use the hashtag #Etopia for fun and prizes!

I’ll do my best to stay awake long enough to join in, but I’m making no guarantees.

Available from all the usual places from 5th October, probably after supper

New release days are always exciting but once the cover, the blurb and the buy links of Halloween Heat 1 are posted,  that’s it. So – just to be different  – I decided that it might be fun to plonk Tristram La Roche down in the Comfy Chair and ask him some pertinent – never impertinent – questions about his story in the anthology, “Love Lies Deep”.

Thanks for agreeing to the interview Tristram. Comfy? Not too much light in your eyes from the inquisitorial anglepoise? Then here we go.

Elin: Short vs long – which do you prefer to read?

Tristram: Fiction is one of those things where size isn’t the most important element. Quality is. I like to read good writing, be it a short story or a novel. There is a lot of rubbish about at the moment and all I can say is, thank goodness for the sampling on Kindle! I would add a little ‘however’: I think some short stories can actually be too long. The clue is in the word ‘short’ and if they drag on and edge towards being a novella I can get fed up. If it is a novella, say so, then the reader is prepared and can set aside the required time. I know this may sound weird to some, but I know what I mean! A novella needs more than a short story so you can’t just write more words without there being reason.

Elin: Would you say that a short story is harder to write than a long one?

Tristram: Quite the opposite. A full novel requires much more thought, development and juggling of ideas, pulling together of threads. But then I am one of those writers who avoids lengthy prose. I like writing to be direct and clear, so the constraints of a short story work well for me. I dare say writers with verbal diarrhoea may disagree.

Elin: Is this your first attempt at writing horror or paranormal?

Tristram: Yes. But I have read horror all my life and wanted to do something like this. So having written this short story and enjoyed it I may turn my attentions to something more substantial.

Elin: Did it take long to come up with an idea?

Tristram: No. When I saw the submission call from Etopia Press I had the idea immediately and started writing. I do have a thing about graveyards. The village in Love Lies Deep is based on the place where we spend some time, though it’s not as exciting in reality.

Elin: Have you ever had a paranormal experience that couldn’t be explained away as marsh gas or too much cheese?

Tristram: I once had sex with a ghost. Joke! No, never. I have gone to haunted sites in the hope of experiencing something but all without success. I’m quite sure I won’t have any such experience. The real life Ken in Love Lies Deep tells me his garden is haunted by an old man in a flat cap, but I think he caught his reflection in the window.

Elin: I’ve done that too 😀  “Aaaaargh! Who is that hideous old woman? Ooops – it’s me!”  Bad hair days can be scary.

Thanks a bunch, Tristram, for the interview and best of luck with the new release.  Here’s hoping to see another solo offering from you before too long.

Meantime – heeeeeere’s Halloween Heat 1, again :

Blurb:

Halloween Heat I
An Anthology of Erotic Paranormal M/M Romance

Five stories of gay love and passion with a paranormal twist, perfect for Halloween.

“Love Lies Deep” by Tristram La Roche
“Idle Hands” by Reneé George
“Costumes” by Dianne Hartsock
“Eden” by Kiran Hunter
“Set in Stone” by Elin Gregory

Available from All Romance eBooks – other links to follow

Change-oh, Presto!

I was a bit premature with my cover announcement, folks. 🙂 Here is the new one – or new to me one:

Someone obviously wants a Bonio!

So, now instead of lowering the tone for Tara Lain and A C Fox, I’ll be doing it for Tristram La Roche, Kiran Hunter, Dianne Hartsock, and Renee George. 🙂 sorry guys.

I’ve had a chance to read the anthology now and I think there’s a bit of something to suit every one. I have no official blurbs to share yet but in these stories grief and love are inextricably entwined, Halloween funtimes can get very serious, clearing an old attic can be a thing of horror, a step between worlds may find ecstasy, and echoes of the past resound in the present.

If you like your Halloweeny fiction spiced – from a gentle sprinkle of cinnamon to OMG vindaloo – you can get the book from all the regular etailers from tomorrow. I’ll probably post about it again then too BUT the shameless self promotion is over for today, you’ll be pleased to hear.

Another announcement: I’m getting back into doing regular author interviews, with the historical ones cross-posted to Speak Its Name. If you are an author of LGBTQTA related fiction, or non-fiction, or mainstream work with a significant presence of LGBTQTA characters and you fancy being interviewed let me know, ‘kay?

So far on my list: Elliott Mackle, Charlie Cochrane, Tristram La Roche, Theo Fenraven, Charlie Cochet and B G Thomas.

Watch this space, or one very like it, for news.

No I don’t want a badge. This is something that happens frequently at work. We get a phone call from a researcher on some TV show or another who needs information/photos etc and we do our best to provide them.

Since this occasion was about something close to my heart I thought I’d blog about it.

The first record we have for a market is in the Lordship Accounts for 1256 and 1257 [financial years went over 2 years in the 13th century just like they do now] where it was stated how much a man had to pay to sell in the market square and how many fairs could be held in the course of a year. There were markets before then, probably ever since the town, priory and castle have existed, but we have no ‘on paper’ evidence for that.

In 1638 Charles I awarded a charter to the town allowing markets to be held every Tuesday and Friday [we are still doing this now].

Grain and produce was sold in the market house, but livestock was driven into the streets of the town and held in temporary pens. Cattle were sold in Rother Street [rother refers to a local breed of horned cattle], sheep in Castle Street, mares and gelding were sold in Lion street and they sold stallions separately up by the Castle.

In the 1850s the town boomed due to the railways and it was decided that having the streets clogged with beasts 2 days a week was a bad idea. In 1863 a dedicated livestock market was built on the old cricket field and it has run with barely a break, apart from foot and mouth, from 1863 to the present.

It has been decided that, yet again, the market traffic is inconvenient. The market is to be resited to a place about 6 miles away, the site is to be sold and a supermarket put on there instead. So 756 years of livestock markets at least – probably more like 920 years if you take the foundation of the Priory into account – and who knows what’ll happen to the town once the markets close? Usually they go into decline and become quiet little ghost towns filled with memories and the sound of people driving to buy a pint of milk because all the shops have shut. I think I’ll join them on the barricades.

I’m being purposely vague about the where and what because, as a council employee, I’m not supposed to have an opinion or at least am not supposed to express it. *eyeroll*

 

Six Sentence Sunday

Six Sunday again – go here to see the incredible list of incredible contributors and read the excerpts!

I am continuing A Fierce Reaping from where I left off last week with Cynfal sounding out just how interested the bereaved Gwion is, with a view to getting his big hairy paws on Gwion’s dead lover’s armour.

~

“I heard,” Cynfal said.  “I’m sorry, and I’m sorry you were hurt as well.” He returned to the door and reached out to give Gwion a gentler version of the punch in the arm that Pup and March seemed to quite enjoy. “Come with us … maybe Llif’s horse needs exercising?” Gwion’s small smile confirmed his guess. “You could meet us – accidentally, and then come along for the company?”

Earlier this week I mentioned a new release from the Gregory stable and now I have more information.

Etopia Press is releasing 6 mini-anthologies, two each of MF, MM and Menage short erotica with three or four “coffee-time read” stories in each anthology. They will be released on October 5th under the collection title “Halloween Heat”. No blurbs yet so watch this space.

Here are the covers:
Continue Reading »

My guest today in the Comfy Chair is Marilyn Jaye Lewis, whose list of achievements and awards is so extensive that I’m not really sure where to start first with them.

Author of erotic fiction, screen plays and lyrics, editor of anthologies, groundbreaking multimedia artist, award winning web mistress – details of Marilyn’s career may be found here on her website . I can only say a heartfelt thank you to her for taking the time to answer my questions about her recent release, “Twilight of the Immortal”, set in the early days of Hollywood when no star shone brighter than Valentino.

Thank you, Marilyn and on with the interview

 ~

Elin:  Demure maiden to Hollywood demi-mondaine, Rose goes through many changes in your book “Twilight of the Immortal”, changes reflected, to an extent, in those undergone by society at large. Was this the attraction for you when you chose to tackle the novel or was there some other major draw?

Rudolph Valentino going through his fan mail

Marilyn: Yes that was the main attraction for me! I created the character of Rose in order to portray what the culture was going through – to have her embody the times, as it were. And then use her as a backdrop against which to tell the story of Rudolph Valentino’s incredibly short life, his sudden rise to fame and then, poof — gone. I used Rose to embody the grief that the world felt when he died. I totally love Rudolph Valentino and that whole era.

 Elin:  One of the things I enjoyed most about Rose as the narrator of the story was her  flawed but likeable character. She’s a real survivor. How flawed is too flawed? At what point would you begin to fear putting readers off a narrator?

 Marilyn: You know what? I can’t really answer that! I create my characters almost as if they’re dictating themselves to me and then I simply write it down; I tell their stories for them. I have often been told by reviewers, though, that my characters are on that edge of being hard to like because they do have so many flaws. It’s what keeps me out of the romance genre. (In addition to Rose, the character of Gianni in “Gianni’s Girl” and the character of Eddie Ramirez in “Freak Parade” both spring to mind as popular characters of mine with a lot of flaws!) I would never set out to offend my readers. But I do care primarily that I am true to my characters and then I simply have to allow the story to tell itself. My main goal is to get the stories out of me so that I don’t go completely insane — then I worry about getting them published.

Elin:  The wealth of detail about the lives and loves of Hollywood, and New York, denizens is fascinating. Can you give us an example of a piece of research that you  would have liked to add to the book but just couldn’t fit it in.

Marilyn: I probably would have enjoyed writing a lot more in detail about Florenz Ziegfeld and the women he launched into stardom through his many Follies. So many of them had truly scandalous and tragic lives. For some reason, I find that fascinating.

  Elin:  What are you reading? Have you any recommendations for us? Is there any one  book that you would wade through floods to rescue, any one book that you would gladly drop into the maw of a volcano?

Marilyn: Right now, I am (re-)reading a religious book, “The Power of Decision” by Raymond Charles Barker, a favorite New Thought philosopher of mine. He was an important minister in the church of Religious Science in its early days. I don’t recommend it for light reading, though! To be honest, when I am reading thoroughly for fun, it is usually something from 60 or 70 years ago by Agatha Christie!

The only book I can think of, off  hand, that I detested so extremely, I never want to see it again and would happily/merrily drop it into some volcano, would be “The Painted Bird” by Jerzy Kosinski. It is considered “holocaust literature” as well as a classic, and while I actually do know a lot about the horrors of the holocaust, this book made me physically ill. I actually tore it up and threw it away. I needed to get physically involved in destroying it.

Books that I would wade through a flood to rescue, can’t be narrowed down to one; they would likely be: “Life” by Keith Richards; “The Great Gatsby” by F. Scott Fitzgerald; “Absalom, Absalom!” by William Faulkner; “The Day of the Locust” by Nathaneal West; “A Room of One’s Own” by Virginia Woolf; “The Collected Poems of Frank O’Hara” – among others!! (I would probably need to be wearing waist-high waders, as the water would likely keep rising while I was running back to rescue more books…)

 Elin:  Another recommendation. For someone new to reading your work where is the best place to start? Is there any one work that you consider to be the essence of Marilyn Jaye Lewis?

Marilyn: I am known primarily for my erotica – I wrote literary erotica for twenty years. That stuff is incredibly different from Twilight of the Immortal, however. At this point in my life, my novel “Freak Parade” probably contains my true essence! (I had to publish that novel myself, though, so I’m not sure what sort of statement that makes about my essence…)

I do tend to write in the bisexual or gay realm. I am probably best known for two explicit short stories: “Anal” which is bisexual girl/girl erotica; and “I Like Boys.” Both stories were written in the mid-90s. I know for sure they are re-printed in a couple of my erotica collections – “Lust”, and in “The Muse Revisited: Volume One”. But they might also both be in “After Hours”, a new collection of my erotica from the Mammoth Erotica publishers in the UK.

Elin:  What are you working on at the moment? Can you tell us a bit about it or do you  like to keep WIPs under wraps until they are ready for public scrutiny?

Marilyn: Nowadays, I am focused primarily on writing screenplays that are female-friendly dramas and that appeal to an older audience. My most recent screenplay, Tell My Bones, has just made it to the second round in the Austin Film Festival, so I am very excited! My current screenplay WIP, is a murder mystery that features an ensemble cast of eccentric older women.

Elin:  Congratulations! That sounds so exciting, as does the new murder mystery. Now, could we please have an excerpt of something?

Short excerpt from “Twilight of the Immortal”; c – 2011, Marilyn Jaye Lewis

I kept pace with Rudy, at least in terms of the drinking and smoking. And when he wanted to carouse with me instead of one of his usual mates, we caroused, going to high class call houses. He especially enjoyed going to Lillie’s up in the hills off Sunset Boulevard and dropping in on Manuel, one of the few Mexicans who didn’t work out of the seedier houses downtown. Manuel was polished and stunning and hoping for something besides extra work in pictures. Beyond that, I did not know anything more about Manuel; when he and Rudy were consorting, they spoke only in Spanish. Rudy and I would go up to the room together. Rudy liked to keep the tongue-waggers guessing about what sordid combinations we might be getting up to. Even though Manuel’s room was up the back stairs, we were in plain view of everybody when we came in the front entrance. My reputation was suffering for it but I didn’t care.

In Manuel’s room, Rudy never undressed completely. He would take off his jacket and carefully drape it over the back of a chair. His shirt — one of those expensive, tailored silk shirts from Bond Street or Paris — he’d hand to me, along with the undershirt and his gold cufflinks, for safe-keeping. I did my best to mind my own business, then. I stood by the balcony door and gazed out at the view. It was a very modest balcony and “the view” included the traffic on Sunset. Still, it was better than watching Manuel get down on his knees. Some things, I felt, were still too private, even for me. This wasn’t Mitch, after all, off on some licentious lark; this was Rudy, needing some sort of balm for his soul. This was the man I was devoted to, whose flickering image served ceaselessly in the greedy minds of millions, making such tireless love to an insatiable world. So I stood with my back to them and I held Rudy’s silk dress shirt and his silk undershirt. I held them lovingly; the warmth of his body still trapped in them — and his scent, too. I let that now familiar scent fill my nose. It was all so secretly exciting — his smell and the warmth of him and the sounds of his mounting pleasure filling the room.

–END—

Links to all Marilyn’s work may be found here. A copy of “Twilight of the Immortal” may be found here.