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Archive for February, 2019

Saturday Book Recs

Ooh boy, this one is book 1 of a fantasy trilogy. It’s creepy, scary and not a book to get too fond of secondary characters because the author is ruthless! Oh yes. Great characters and a fascinating series of skin crawling worlds for them to inhabit. Enjoy!

Blurb:

Kell is one of the last Antari—magicians with a rare, coveted ability to travel between parallel Londons; Red, Grey, White, and, once upon a time, Black.

Kell was raised in Arnes—Red London—and officially serves the Maresh Empire as an ambassador, traveling between the frequent bloody regime changes in White London and the court of George III in the dullest of Londons, the one without any magic left to see.

Unofficially, Kell is a smuggler, servicing people willing to pay for even the smallest glimpses of a world they’ll never see. It’s a defiant hobby with dangerous consequences, which Kell is now seeing firsthand.

After an exchange goes awry, Kell escapes to Grey London and runs into Delilah Bard, a cut-purse with lofty aspirations. She first robs him, then saves him from a deadly enemy, and finally forces Kell to spirit her to another world for a proper adventure.

Now perilous magic is afoot, and treachery lurks at every turn. To save all of the worlds, they’ll first need to stay alive.

A Darker Shade of Magic

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My latest guest in the series of interviews celebrating the release of the latest anthology from Manifold Press, is Mel Logue, author of Firebrand. Rainbow Bouquet is available now from the usual vendors [links below]

Welcome, Mel.

For how long have you been writing?

Hm. About forty years, this year! I started writing “stories” – possibly because my own childhood was rather dull and grim, being the daughter of two alcoholics – back in the days when primary school children were expected to present a narrative of the things they did in their happy normal homes. Mine almost invariably revolved around going to the pub (which was true) with two fictional horses called Napoleon and Josephine, who did much more amazing things than I did.

And I haven’t really stopped making stuff up since!

What attracted you to the brief for Rainbow Bouquet?

Book cover showing a sprig of rosemary, 17th century embroidery and the hilt of a cavalry sabre

Red Horse: Book 1 of the Uncivil War series

So basically, my first series of novels (hark at me, my first series!) is set in the 1640s and it’s the continuing adventures of a troop of Parliamentarian cavalry during the British Civil Wars. Now as it falls out one of the main characters throughout the middle of the series is genderqueer; she’s a soldier, and a brutal and efficient one – she just happens to pee sitting down and, occasionally, have sex with either men or women depending how she feels at the time. So that’s always a clear and present dynamic in those books. The idea of women who dressed and fought as men was enough of a thing that Charles I got quite cross about it and denounced it publicly, but it wasn’t really right to explore that character any more fully in what are essentially adventure stories. On the other hand, it resonated with me, and when I saw the brief I thought it was an opportunity for me to think more about gender fluidity and independence and sexuality in the period, and how entwined they were.

What inspired your story?

Aphra Behn, pretty much! A year or so ago I’d started writing about an actress called Galatea Farrinor, who’s a Restoration actress existing in the same sort of physical and moral limbo inhabited by Affie Behn: a strong, independent woman making her own way in what’s essentially a male-dominated world.

Aphra Behn, 17th century lady in a low cut russet colour gown.

Aphra Behn by Peter Lely, c 1670

Initially Gally just had a short story, but I can’t help thinking that it didn’t stop there, with those two. I’m not sure how it goes on – it isn’t, I don’t think, an ongoing will-they won’t-they romance, I think they’re both far too sensible for that – but having burnt their bridges with convention, the world is pretty much their oyster. Possibly a mystery. Definitely an adventure,

Please tell me about your current work in progress.

I have three ongoing currently – plus a number of short stories, I like to dip in and out!

The third book in the Thomazine & Major Russell series published by Sapere Books, which is the sort of Happy Ever After of one of the characters from the 1640s series. If your idea of a HEA involves being shot at, intrigued at, half-drowned and knocked on the head by ne’er-do-wells, then the Russells’ marriage is a veritable fairytale. On the other hand, it’s enormously fun to write – someone grumpily said “but if the series is named after the two of them, you know they both survive, and where’s the tension in that?” To which I can only say, chum, you’ve never been married, have you…. The first is out now and is called An Abiding Fire. The second will be out soon – I’ve seen the cover and it’s lovely – but I don’t know when, and it’s called A Deceitful Subtlety, and that’s the one where the Russells tangle with Aphra. In more than one sense. You’ll have to read it….

The seventh (!!!!!) Uncivil Wars book, the bald outline of which is – the aftermath of the battle of Marston Moor, the siege of Helmsley Castle in Yorkshire, and the creation of the New Model Army.

And a timeslip romantic comedy involving a widowed archivist, a stately home in Cornwall hat needs to be saved from developers, and a troop of temporally-displaced cavalry. This started as an in-joke between friends, a sort of 1640s Outlander spoof, and took on a life of its own….

Could we see an excerpt?

This is from the timeslip romance, which is provisionally entitled The White Devil – it’s an Elizabethan proverb the white devil is worse than the black, meaning self-righteousness is worse than just plain badness. And believe you me, there is no one more self-righteous than Penitence Corder at the beginning of the book… So this is Pen, trying to play the forbidding officer in charge, having just walked into 2019 by accident.

He stalked from her presence with what he hoped was a suitably commanding demeanour, back out into the hall, and into his own quarters.

And then sat down on his own, rackety, held-together-with-rag-and-a-prayer stool, which gave its customary warning of impending collapse, and even that was reassuring – bending down and thumping the loose leg back into place with the heel of your hand, because at least it was real and solid and you knew where you were with a stool that was not intended for someone of your height –

Pen gulped, and tasted acid. And was not going to puke on his own correspondence in fear of a woman. Was not.

(Was going to lean out of the window and do it in the bushes outside instead, and then lie shivering over the sill with his hair tangled up in the lavender until he felt something like ordinary. Listening to his own company squabbling and thumping in the house, and his own remounts cropping the grass, the swish and thump of horses at peace picketed together -)

He had heard none of that in her now. Her now had smelt different, sounded different – it had felt different –

He slid off the windowsill and sat on the floor with a thump, head on his knees.

What if she had been telling the truth?

– oh, that scared him –

What if there were two nows going on at the same time,and he had walked into hers all unknowing?

Pen, Esther said in his head, I might have known thee could do nothing so ordinary as court a nice girl from Bristol.

That’s not funny. And anyway, she’s not – I’m not courting her, not like –

Surely. Thee was always sick when we were courting, too. It was the excitement. I marked it a hundred times. I only married thee in pity, for fear thee would waste away to a nothing an I did not.Thee is courting, Penitence Corder, even if thee will not own it. And about time too, I should say, for thee needs a woman like –

“A hole in the head,” he said aloud, and the door jerked open a crack.

“You all right, sir?”

All he needed. His dead wife, on the one side, offering helpful hints on a nonexistent courtship, and bloody Mayhem eavesdropping on the other. “I. Am. Fine,” he snarled, and Mayhem sniffed.

“Sitting in the dark banging about and talking to yourself is not your normal presentation, sir. If you don’t mind me saying.”

It was not so much the idea of another now, or her in it, or even him in it. “The Lord moves in mysterious ways,” Pen said, and Mayhem shoved the door right open and said, “Who are you talking to in here, then?”

“I was – contemplating,” he said with dignity.

“You’re sitting on the floor.”

“The stool finally surrendered.”

“Looks all right to me… sir. You’ve not finally… you know?”

“Lost my wits altogether? Probably, lieutenant. I spend too much time with you.”

“I have never sat on the floor talking to myself, sir.”

“No, Mayhem, indeed you have not. This is possibly because if you were left alone in a darkened room you would dig your way through the floorboards to feminine company, if necessary. You have never been required to talk to yourself. You can’t be on your own for long enough.”

Where may we follow you online?

Twitter I am – predictably – @hollie_babbitt

My website is http://www.asweetdisorder.com – as is my Instagram!

FB page is http://www.facebook.com/MJLogue-1653750564845159/

~~~

Stories of love in the past, present and future…

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My visitor today is Sean R Robinson, author of More than Starlight, More than Rain in the Rainbow Bouquet anthology.

Welcome Sean and thank you for answering my questions.

For how long have you been writing?

I think I wrote my first book in elementary school, about four pages long and colored with crayons. Professionally, my first publication was in 2015.

What attracted you to the brief for Rainbow Bouquet?

When I was in graduate school at the University of Southern Maine, I read Farah’s Rhetorics of Fantasy and it really changed the way I thought about the genre — from something that was kind of “fluff” into something that mattered, and could be considered academic. The opportunity to share a story in an anthology she was editing made me really excited, and after looking through my work, I thought I had a piece that would be a good fit. So here we are.

What inspired your story?

My story is about a space marine, Gavin Rourke, who is at the end of his life looking back. These themes have always appealed to me: hyper masculinity juxtaposed against genuine emotion. Gavin has loved and lost, and that’s another place that I like to mine creatively. Beyond that, I want love stories that are about love rather than labels. Gavin is in love with a person who happens to be another man, and that’s the story, and it provides visibility without turning it into a story other than a love story…or a ghost story.

Please tell me about your current work in progress.

I’m working on a novel with a writing partner. After a few faltering stops, I think we’ve started building momentum. It’s high fantasy, and I’m just trying to enjoy it as I go, regardless of how silly it may sound.

Could we see an excerpt?

The coach was a grand thing, all gilt and gold, pulled by a pair of matched horses. Mathilde would have known what their color was called, and what breed they were. I almost asked her, but as we rolled down the drive, she had pulled the curtains open, looking at anything but the rest of us.
“Shut that window,” Housekeeper said. “do you want to be robbed?”
Mathilde blinked her eyes slowly. “Yes?”
I laughed, because there was no other answer. My sweet, violent sister.

Where may we follow you online?

On Twitter @Kesterian or my website http://www.seanryanrobinson.com

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Stories of love in the past, present and future…

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I’m delighted to welcome Garrick Jones – author of O, Canada in Manifold Press’s latest anthology Rainbow Bouquet – to my blog today.

Thank you, Garrick, for so kindly answering my questions.

For how long have you been writing?

I retired from an active performing career in 1999, taking up the position as Lecturer in Music at CQUniversity in tropical northern Queensland. Always having been a keen letter writer (remember those days?) and having done three university degrees while performing (two in research) I found academic writing right up my alley. I retired six years ago and started to explore the LGBT literature, finding very little dealing with Australia that wasn’t angstful. While much of it was excellent (Holding The Man, Head On, etc.) there wasn’t anything about gay men and our history, other than non-fiction. So I decided to see what came from my fingers. I happened to run across some very helpful professional writers, who steered me in the right direction. Having my first professional edit was an eye-opener. I suddenly realised it was something I could do, and I haven’t stopped since. I’ve only, in the past seven months had the courage to submit to editors, with a deal of success. What is it about us writers and self-worth?

What attracted you to the brief for Rainbow Bouquet?

I wanted to try my hand at writing a Romance story. Romance is not really my thing; my books have romance in them, usually as a thread throughout the story, but it’s not the focus.

What inspired your story?

A combination of two real-life stories. Canada, because I went there on an exchange program in 1963 at the age of fifteen, and was mesmerised by the handsome airline pilot sitting at the tour desk in the lobby of the Hilton Hawaiian Hotel. He became a fantasy as I gradually grew into my sexuality. The roses? Ah, my wonderful Craig, who remembered every occasion, whether real or imagined with flowers and gentle whispers in my ear.

Please tell me about your current work in progress.

I’m at an interesting crossroads right now. One work ready to go to the editor, another just come back from betas, the third with a theatre historian to check details, and the fourth a book I half-finished over a year ago, but found it too confronting to continue with. I’m currently looking at it to see if I can go on. However, the next book you might see in print is The Cricketer’s Arms, a book beta-read by the wonderful British author, Charlie Cochrane. It’s an old-fashioned, pulp-fiction style detective novel, set in 1956, involving cricket match fixing (and written before the dreadful controversy this time last year, how prescient of me) gang wars, and sex trafficking. It’s a cracker of an action mystery story, even if I say so myself.

Could we see an excerpt?

I’ve attached the first section, with the knowledge that it may not end up word for work in the final version once the glorious Victoria Milne has had her way with it.

I’d just put a fresh sheet of paper in the typewriter, typed the date at the top of the page, “Tuesday, 17th of January, 1956,” lit a cigarette, and stretched back while I got the first dozen or so words sorted out in my head, when someone thumped at my front door.
“Who is it?” I called out, as I walked down the hallway.
“It’s me.”
“Fuck off!” I said.
“Come on, Clyde. Open the door. It’s business.”
I turned and leaned against the wall of the hallway, out of sight of the ripple-glass panels of the door, and ran my hand through my hair. I didn’t want him here—not now, not ever. He began to pound at the door, and I began to worry about the neighbours.
“Clyde! I’m not going anywhere. Open the fucking door!”
I strode to the door in a fury, pulled it open, grabbed him by the tie and one lapel of his jacket, and then dragged him into my hallway, slamming the door shut behind us with my foot. Something in the kitchen rattled. We stood for what felt like five minutes, but which could only have been the same number of seconds. But, in those five seconds, I’d inspected every square inch of his face, fought the feeling of his body pressed up against mine, and taken a deep lungful of his breath in my face—he still smelled the same. Damn him.
“Hello, Clyde,” he said, cheekily, and then ran his hands up between mine and forced them apart. I let go of his tie and jacket. He took my cigarette from my mouth and took a puff. “Still smoking this shit?”
“What’s it to you, Sam?”
“You used to call me Sammy, Clyde.”
“You used not be to be an arsehole.”
He laughed in my face. We hadn’t moved, the toes of our shoes touching, our knees the same. I cursed myself inside. I had no self-control. I tried to move away from him, but he grabbed my shirtsleeve.
“Let go,” I growled.
“Or what?”

Where may we follow you online?

Website – https://garrickjones.com.au

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Stories of love in the past, present and future…

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I forgot to post this yesterday but hey it’s never too late to share something good, is it?

My recommendation today is for something I saw recommended on Twitter and it’s just delightful – historical, but with everything tweaked a bit, a little mystery and not one but two love stories. I enjoyed every second of it.

Blurb: On a night when the whole city is looking for love, two foreigners find it in the last place they expected.

The famous Psobion festival is about to begin in the city of Boukos, and the ambassador from Zash has gone missing. Marzana, captain of the embassy guard, and Bedar, the ambassador’s long-suffering secretary, hunt for him through the streets and taverns and brothels of Boukos. There they find unexpected help from a beautiful widowed shopkeeper and a teenage prostitute. Before the two Zashians learn what became of their ambassador, they will have to deal with foreign bureaucracy, strange food, stranger local customs, and murderers. And they may lose their hearts in the process.

One Night in Boukos is a standalone romance featuring two couples, one m/f and one m/m.

book title

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I’m delighted to welcome Cheryl Morgan – the author of The Poet’s Daughter in Manifold Press’s latest anthology Rainbow Bouquet – to my blog today.

Thank you Cheryl for so kindly answering my questions.

For how long have you been writing?

Since I was at school, which is many decades ago.

book cover showing frieze of Cretan womenWhat attracted you to the brief for Rainbow Bouquet?

Farah has been a friend for a long time. When I saw that she was getting
into publishing I wanted to support her.

What inspired your story?

Emily Wilson’s translation of the Odyssey.

Please tell me about your current work in progress.

I don’t have any stories on the go right now, mainly because I have been
frantically writing talks for LGBT History Month and don’t have any
space in my head for fiction.
Steampunk diver and soldier with Clifton suspension bridge in background
The next story I will have published will be in Airship Shape & Bristol
Fashion 2, which is due out from Wizard’s Tower Press later this year.

Could we see an excerpt?
Sorry, no, but I can tell you a few things. It features a cavalry
officer who is trying to come to terms with surviving the Charge of the
Light Brigade. There are trains. Brunel gets his heart’s desire. And
Lord Palmerston gets to yell, “No one blackmails the British Empire!”

Where may we follow you online?

My blog is at https://www.cheryl-morgan.com

And I am @CherylMorgan on Twitter

There’s a list of all of my published fiction HERE

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Stories of love in the past, present and future…

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Rainbow Bouquet – an anthology from Manifold Press – will be available from today and in celebration of this over the next few days I will be sharing some information kindly provided by some of the authors.

Stories of love in the past, present and future…

The Man of My Dreams by Harry Robertson
Proof of Evil by Ed Ahern
A Hatred of Wednesdays by Victoria-Melita Zammit
Ubytok — umu pribytok by Erin Horáková
The Poet’s Daughter by Cheryl Morgan
Duet for Piano, Four Hands by Sarah Ash
Stronger Than Death by Kathleen Jowitt
More than Starlight, More than Rain by Sean R. Robinson
O, Canada by Garrick Jones
Firebrand by MJ Logue

 

The Authors:

Harry Roberts is naive romantic who blames Disney and old Hollywood films for his high expectations and current single status.

Ed Ahern resumed writing after forty odd years in foreign intelligence and international sales. He’s had over two hundred stories and poems published so far, and three books. Ed works at Bewildering Stories, where he manages a posse of five review editors.

Victoria-Melita Zammit was taught how to write by her father and she hasn’t stopped since.

Erin Horáková is a southern American writer and academic who lives in London. She’s currently finishing up her thesis on the history of charm as artefact, literary effect and affect.

Cheryl Morgan is an award-winning critic, editor and publisher.

Sarah Ash is a fantasy novelist whose love of music often finds its way into her fiction.

Kathleen Jowitt is a writer and trade union officer from Cambridge, United Kingdom.

Sean R. Robinson is a teacher of language and literature in the White Mountains of New Hampshire, USA.

Garrick Jones was a professional opera singer for thirty years, after which he lectured at the Central Queensland Conservatorium of Music. His first novel, The Seventh of December, is published by Manifold Press in January 2019.

MJ Logue is the author of the Hollie Babbit stories about a disreputable troop of Parliamentarian cavalry, which begins with Red Horse.

Rainbow Bouquet

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